arms
imagining the blind path of foot, underwater sun
suddenly catching the almond coloured legs
the torn old Adidas tennis shoes we wear
to walk the river into Bellrock.
What is the conversation about for three hours
on this winding twisted evasive river to town?
What was the conversation about all summer.
Stan and I laughing joking going summer crazy
as we lived against each other.
To keep warm we submerge. Sometimes
just our heads decapitated
glide on the dark glass.
There is no metaphor here.
We are aware of the heat of the water, coldness of the rain,
smell of mud in certain sections that farts
when you step on it, mud never walked on
so you can’t breathe, my god you can’t breathe this air
and you swim fast your feet off the silt of history
that was there when the logs went
leaping down for the Rathburn Timber Company
when those who stole logs had to leap
right out of the country if caught.
But there is no history or philosophy or metaphor with us.
The problem is the toughness of the Adidas shoe
its three stripes gleaming like fish decoration.
The story is Russell’s arm waving out of the green of a field.
The plot of the afternoon is to get to Bellrock
through rapids, falls, stink water
and reach the island where beer and a towel wait for us.
That night there is not even pain in our newly used muscles
not even the puckering of flesh
and little to tell except you won’t
believe
how that river winds and when you
don’t see the feet you concentrate on the feet.
And all the next day trying to think
what we didn’t talk about.
Where was the criminal conversation
broken sentences lost in the splash in wind.
Stan, my crazy summer friend,
why are we both going crazy?
Going down to Bellrock
recognizing home by the colour of barns
which tell us north, south, west,
and otherwise lost in miles and miles of rain
in the middle of this century
following the easy fucking stupid plot to town.
PIG GLASS
Bonjour. This is pig glass
a piece of cloudy sea
nosed out of the earth by swine
and smoothed into pebble
run it across your cheek
it will not cut you
and this is my hand a language
which was buried for years touch it
against your stomach
The pig glass
I thought
was the buried eye of Portland Township
slow faded history
waiting to be grunted up
There is no past until you breathe
on such green glass
rub it
over your stomach and cheek
The Meeks family used this section
years ago to bury tin
crockery forks dog tags
and each morning
pigs ease up that ocean
redeeming it again
into the possibilities of rust
one morning I found a whole axle
another day a hand crank
but this is pig glass
tested with narrow teeth
and let lie. The morning’s green present.
Portland Township jewellery.
There is the band from the ankle of a pigeon
a weathered bill from the Bellrock Cheese Factory
letters in 1925 to a dead mother I
disturbed in the room above the tractor shed.
Journals of family love
servitude to farm weather
a work glove in a cardboard box
creased flat and hard like a flower.
A bottle thrown
by loggers out of a wagon
past midnight
explodes against rock.
This green fragment has behind it
the
booomm
when glass
tears free of its smoothness
now once more smooth as knuckle
a tooth on my tongue.
Comfort that bites through skin
hides in the dark afternoon of my pocket.
Snake shade.
Determined histories of glass.
THE HOUR OF COWDUST
It is the hour we move small
in the last possibilities of light
now the sky opens its blue vault
I thought this hour belonged to my children
bringing cows home
bored by duty swinging a stick,
but this focus of dusk out of dust
is everywhere – here by the Nile
the boats wheeling
like massive half-drowned birds
and I gaze at water that dreams
dust off my tongue,
in
Carmen Caine, Madison Adler