this country your mouth
feels the way your shoes look
Everything is reducing itself to shape
Lack of light cools your shirt
men step from barbershops
their skin alive to the air.
All day
dust covered granite hills
and now
suddenly the Nile is flesh
an arm on a bed
In Indian miniatures
I cannot quite remember
what this hour means
– people were small,
animals represented
simply by dust
they stamped into the air.
All I recall of commentaries
are abrupt lovely sentences where
the colour of a bowl
a left foot stepping on a lotus
symbolized separation.
Or stories of gods
creating such beautiful women
they themselves burned in passion
and were reduced to ash.
Women confided to pet parrots
solitary men dreamed into the conch.
So many
graciously humiliated
by the distance of rivers
The boat turns languid
under the hunched passenger
sails
ready for the moon
fill like a lung
there is no longer
depth of perception
it is now possible
for the outline of two boats
to collide silently
THE PALACE
7 a.m. The hour of red daylight
I walk through palace grounds
waking the sentries
scarves
around their neck and mouths
leak breath mist
The gibbons stroll
twenty feet high
through turret arches
and on the edge
of brown parapet
I am alone
leaning
into flying air
Ancient howls of a king
who released his aviary
like a wave to the city below
celebrating the day of his birth
and they when fed
would return to his hand
like the payment of grain
All over Rajasthan
palaces die young
at this height
a red wind
my shirt and sweater cold
From the white city below
a beautiful wail
of a woman’s voice rises
300 street transistors
simultaneously playing
the one radio station of Udaipur
USWETAKEIYAWA
Uswetakeiyawa. The night mile
through the village of tall
thorn leaf fences
sudden odours
which pour through windows of the jeep.
We see nothing, just
the grey silver of the Dutch canal
where bright coloured boats
lap like masks in the night
their alphabets lost in the dark.
No sight but the imagination’s
story behind each smell
or now and then a white sarong
pumping its legs on a bicycle
like a moth in the headlights
and the dogs
who lean out of night
strolling the road
with eyes of sapphire
and hideous body
so mongrelled
they seem to have woken
to find themselves tricked
into outrageous transformations,
one with the spine of a snake
one with a creature in its mouth
(car lights rouse them
from the purity of darkness).
This is the dream journey
we travel most nights
returning from Colombo.
The road hugs the canal
the canal every mile
puts an arm into the sea.
In daylight women bathe
waist deep beside the road
utterly still as I drive past
their diya reddha cloth
tied under their arms.
Brief sentences of women
lean men with soapy buttocks
their arms stretching up
to pour water over themselves,
or the ancient man in spectacles
crossing the canal
only his head visible
pulling something we cannot see
in the water behind him.
The women surface
bodies the colour of shadow
wet bright cloth
the skin of a mermaid.
In the silence of the night drive
you hear ocean you swallow odours
which change each minute – dried fish
swamp toddy a variety of curries
and something we have never been able to recognize.
There is just this thick air
and the aura of dogs
in trickster skin.
Once in the night we saw
something slip into the canal.
There was then the odour we did not recognize.
The smell of a dog losing its shape.
THE