to the Viceroy, nay with the possibility of supplanting him. The Conde Vicente dâAbuirre must not be vexed, even through his half-wit mother-in-law. Finally, the Viceroy was delighted to humble the actress. He suspected that she was deceiving him with a matador, perhaps with an actor,âbetween the flattery of the court and the inertia of gout he could not quite make out who it was; at all events, it was clear that the singer was beginning to forget that he was one of the first men in the world.
The Marquesa, beside not having heard the scurrilous songs, was in other ways unprepared for the actressâs visit. You should know that after the departure of her daughter, Doña MarÃa had lighted upon a certain consolation: she had taken to drinking. Everyone drank chicha in Peru and there was no particular disgrace in being found unconscious on a feast day. Doña MarÃa had begun to discover that her feverish monologues had a way of keeping her awake all night. Once she took a delicate fluted glassful of chicha on retiring. Oblivion was so sweet that presently she stole larger amounts and tried dissimulating their effects from Pepita; she hinted that she was not well, and represented herself as going into a decline. At last she resigned all pretense. The boats that carried her letter to Spain did not leave oftener than once a month. During the week that preceded the making of the packet she observed a strict regimen and cultivated the city assiduously for material. At last on the eve of the post she wrote the letter, making up the bundle towards dawn and leaving it for Pepita to deliver to the agent. Then as the sun rose she would shut herself up in her room with some flagons and drift through the next few weeks without the burden of consciousness. Finally she would emerge from her happiness and prepare to go into a state of âtrainingâ in preparation for the writing of another letter.
Thus on the night following the scandal in the theater she wrote Letter XXII and retired to bed with a carafe. All next day Pepita moved about the room, glancing anxiously at the figure on the bed. The next afternoon Pepita brought her needlework into the room. The Marquesa lay staring at the ceiling with wide-open eyes, talking to herself. Towards dusk Pepita was called to the door and informed that the Perichole had come to see the mistress. Pepita remembered the theater very well and sent back word angrily that the mistress refused to see her. The man carried the message to the street door, but returned awestruck with the news that the Señora Perichole was armed with a letter from the Viceroy presenting her to the lady. Pepita tiptoed to the bed and started talking to the Marquesa. The glazed eyes moved to the girlâs face. Pepita shook her gently. With great effort Doña MarÃa tried to fix her mind on what was being said to her. Twice she lay back, refusing to seize the meaning, but at last, like a general calling together in a rain and by night the dispersed division of his army she assembled memory and attention and a few other faculties and painfully pressing her hand to her forehead she asked for a bowl of snow. When it was brought her, she long and drowsily pressed handfuls of it against her temples and cheeks; then rising she stood for a long time leaning against the bed and looking at her shoes. At last she raised her head with decision, she called for her fur-trimmed cloak and a veil. She put them on and tottered into her handsomest reception room where the actress stood waiting for her.
Camila had intended to be perfunctory and if possible impudent, but now she was struck for the first time with the dignity of the old woman. The mercerâs daughter could carry herself at times with all the distinction of the Montemayors and when she was drunk she wore the grandeur of Hecuba. For Camila the half-closed eyes had the air of weary authority and she began almost timidly:
âI come, señora,