tough green leaves,
Pretending not to notice how they bled into
The sky’s aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited
Away en bateau, under cover of fudge dark.
It’s not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us.”
The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
There were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all’s
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed—once—but to be ambling on’s
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants—what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don’t mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer’s day.
All Kinds of Caresses
The code-name losses and compensations
Float in and around us through the window.
It helps to know what direction the body comes from.
It isn’t absolutely clear. In words
Bitter as a field of mustard we
Copy certain parts, then decline them.
These are not only gestures: they imply
Complex relations with one another. Sometimes one
Stays on for a while, a trace of lamp black
In a room full of gray furniture.
I now know all there is to know
About my body. I know too the direction
My feet are pointed in. For the time being
It is enough to suspend judgment, by which I don’t mean
Forever, since judgment is also a storm, i.e., from
Somewhere else, sinking pleasure craft at moorings,
Looking, kicking in the sky.
Try to move with these hard blues,
These harsh yellows, these hands and feet.
Our gestures have taken us farther into the day
Than tomorrow will understand.
They live us. And we understand them when they sing,
Long after the perfume has worn off.
In the night the eye chisels a new phantom.
Lost and Found and Lost Again
Like an object whose loss has begun to be felt
Though not yet noticed, your pulsar signals
To the present death. “ It must be cold out on the river
Today. ” “You could make sweet ones on earth.”
They tell him nothing. And the neon Bodoni
Presses its invitation to inspect
Marina Dyachenko, Sergey Dyachenko