costs:
A sail out of some afternoon, beyond amazement, astonished,
Apparently not tampered with. As the rain gathers and protects
Its own darkness, the place in the slipcover is noticed
For the first and last time, fading like the spine
Of an adventure novel behind glass, behind the teacups.
Whether It Exists
All through the fifties and sixties the land tilted
Toward the bowl of life. Now life
Has moved in that direction. We taste the conviction
Minus the rind, the pulp and the seeds. It
Goes down smoothly.
At a later date I added color
And the field became a shed in ways I no longer remember.
Familiarly, but without tenderness, the sunset pours its
Dance music on the (again) slanting barrens.
The problems we were speaking of move up toward them.
The Lament upon the Waters
For the disciple nothing had changed. The mood was still
Gray tolerance, as the road marched along
Singing its little song of despair. Once, a cry
Started up out of the hills. That old, puzzling persuasion
Again. Sex was part of this,
And the shock of day turning into night.
Though we always found something delicate (too delicate
For some tastes, perhaps) to touch, to desire.
And we made much of this sort of materiality
That clogged the weight of starlight, made it seem
Fibrous, yet there was a chance in this
To see the present as it never had existed,
Clear and shapeless, in an atmosphere like cut glass.
At Latour-Maubourg you said this was a good thing, and on the steps
Of Métro Jasmin the couriers nodded to us correctly, and the
Pact was sealed in the sky. But now moments surround us
Like a crowd, some inquisitive faces, some hostile ones,
Some enigmatic or turned away to an anterior form of time
Given once and for all. The jetstream inscribes a final flourish
That melts as it stays. The problem isn’t how to proceed
But is one of being: whether this ever was, and whose
It shall be. To be starting out, just one step
Off the sidewalk, and as such pulled back into the glittering
Snowstorm of stinging tentacles of how that would be worked out
If we ever work it out. And the voice came back at him
Across the water, rubbing it the wrong way: “Thou
Canst but undo the wrong thou hast done.” The sackbuts
Embellish it, and we are never any closer to the collision
Of the waters, the peace of light drowning light,
Grabbing it, holding it up streaming. It is all one. It lies
All around, its new message, guilt, the admission
Of guilt, your new act. Time buys
The receiver, the onlooker of the earlier system, but cannot
Buy back the rest. It is night that fell
At the edge of your footsteps as the music stopped.
And we heard the bells for the first time. It is your chapter, I said.
Drame Bourgeois
A sudden, acrid smell of roses, and the urchin
Turns away, tears level in the eyes. Waffled feeling:
“You’d scarce credit it, mum,” as the starched
Moment of outline recedes down a corridor, some parts
Lighter, but the ensemble always darker as the vanishing point
Is reached and turns itself
Into an old army blanket, or something flat and material
As this idea of an old stump in a woods somewhere.
Then it is true…. It is you, who, that
Wet evening in March … Madam, say no more,
Your very lack of information is special to me,
Your emptying glance, prisms which I treasure up.
Only let your voice not become this clarion,
Alarum in the wilderness, calling me back to piety, to sense,
Else I am undone, for late haze drapes the golf links
And the gilded spines of these tomes blaze too bright.
And Ut Pictura Poesis Is Her Name
You can’t say it that way any more.
Bothered about beauty you have to
Come out into the open, into a clearing,
And rest. Certainly whatever funny happens to you
Is OK. To demand more than this would be strange
Of you, you who have so many lovers,
People who look up to you and are willing
To do things for you, but you think
It’s not right, that if they really knew