and knocked at the door of Mr. Warrenâs stateroom. I found him seated at his desk writing a letter. Tacked to the bulkhead above his desk was an enlarged photograph of a very beautiful girl of about eighteen. The shape of the girlâs face, with high cheekbones and large, intense-looking eyes, made the picture arresting, and I found difficulty in keeping my eyes away from it; my glance kept straying toward the photograph. Mr. Warren bade me sit down on his bunk, and paused in his writing.
âItâs kind of a tough way to spend the last night,â I said.
âYes, sir, it is.â
âWhen you censor the mail in the morning I think itâll be all right to let the men say that they wonât be able to write for quite a while.â
âYes, sir.â
I caught myself glancing at the photograph again and looked away. I wondered what it was about it that made it so different from the usual pictures of pretty girls. I decided it was because the girl in the picture looked as though she were just about to say something. Mr. Warren saw me looking at the photograph.
âThatâs Rachel. Sheâs my wife,â he said.
âSheâs very lovely.â
There was a momentâs pause and then Mr. Warren started talking very fast.
âSheâs in a hotel uptown,â he said. âWeâve just been married a week. I guess sheâll be surprised when I donât come tonight, but I told her it might happen any time. She wonât worry, I donât think. Sheâs pretty independent.â
âShe wonât worry,â I said.
I glanced at his desk and saw that the letter he was writing was already many pages long. It struck me that I knew by heart every word that he had written.
âWell,â I said, âsheâll probably get your letter tomorrow afternoon.â
âYes,â he said, âthatâs what I figure.â
I got up and went out. As I walked back to the wardroom I could hear his pen resume its scratching.
I sat in the wardroom and tried to read. Somewhere up in the city a siren threaded its way through the distant streets. A fire, I thought, or maybe an ambulance. Somebody ashore had his problems too.
It was nine oâ clock. The men were still shuffling in to the mailbox. On an impulse I got up and walked forward to the forecastle. When I opened the heavy iron door the quiet babble of voices stopped. The forecastle was a large compartment that followed the shape of the bow. Along both sides were triple tiers of bunks. In the dim light I could see the half-naked bodies of the men in their bunks. Most of them were propped up on one elbow writing on tablets. In the middle of the forecastle squatting on deck were four seamen, and it had been these whom I had heard murmuring. One of them had a cheap map of the Pacific unfolded. It looked like a Standard Oil road map, and the seaman who had been holding it, a dark-haired boy of about twenty, still had his finger pointing somewhere in the middle of it. All the seamen, those on the deck and those in their bunks, were looking at me.
âI just thought Iâd look in,â I said. âHowâs it going?â
There was a rustle of movement, and I heard a sort of anonymous, âVery well, sir. Everythingâs fine, sir.â
I stood there uncertainly. My eyes became used to the dim light and penetrated the dark corners of the compartment. Over every bunk some kind of photograph had been pasted up. There were snapshots and enlargements, and a few pictures of movie stars. The forecastle had lost its bare newness.
âIn the morning, sir â¦â
A mild little voice came from a far corner. I looked and saw a very slight seaman with a shock of straw-colored hair. âHe looks like someone,â I thought, and in a flash it came to me that the face looked like some juvenile actor I had seen.
âIn the morning, sir, would it be all right if we sent
David Stuckler Sanjay Basu
Aiden James, Patrick Burdine