of bitter orange trees,
and I treat the sores of smallpox
with the juice of boiled yams.
I use the perfumed leaves
of bay rum trees
to mask the scent
of death.
José
General Máximo Gómez, the Fox,
asks Rosa to choose twelve trustworthy men
who can help us build a bigger hospital,
so sturdy and so well-hidden
that it will never be found
or attacked.
My wife says two trustworthy men
will be enough.
She tells the Fox that she is strong.
She wants to help chop the wood
for building our new home.
Silvia
Concentrate. Reconcentrate.
Mass, cluster, bunch, and heap.
Weylerâs camp makes my arms and legs
so skinny that even my mind feels hungry.
Concentrate. Reconcentrate.
Plan, pay attention, focus, think.
I am alone now. My brothers
are with my mother.
The oxcart comes and goes.
The Brother of Charity and Faith
sees my hopelessness.
He lets me ride with him,
hiding in the oxcart.
I am leaving.
Where will I go?
Silvia
The wagon creaks,
wheels singâ¦
the night is moonless,
my body feels ancient,
my mind feels new.
The driver turns and smiles.
He hands me his cigar, a blinking light.
He shows me how to pretend
that I am a firefly.
He points to a hole in the fence,
puts his finger to his lips,
then draws a map in the skyâ
a picture of the way
to find Rosa.
Silvia
I dance through the hole in my fenced life,
moving the make-believe firefly with my hand,
not my mouth, because I am afraid I would not
be able to stop coughing.
The tiny light rises, dips, flits,
just a foul-scented cigar
pretending to fly,
but it carries a memory
of the oxcart driverâs hand,
showing me how to find the woman
who once saved my grandmaâs life.
Rosaâs cave is the only place I long to be
now that my family is in heaven.
Silvia
Tree frogs, screech owls, the dancing leaves
of feathery ferns, the fragrant petals
of wild orchids.
Night wings, crickets,
imagining secrets,
wondering which flowers
might save a life,
and which could be dangerous,
if I donât learn quickly, if I feed a patient
just a little too muchâ¦
Will Rosa teach me?
Is Rosa real, or just one more
of those comforting tales
the old folks tell
at bedtime?
Silvia
Moonless thunder, silent lightning, the tracks
of mountain ponies.
MambÃ
birdcalls, a stream, tall reeds, the song
of a waterfall, my own tumbling, exhausted,
singing wild hopes.
A trail, more hoofprints, a woman in blue
with long, loose black hair just like my own.
The whistle of a Canary Islander,
speaking the secret language of Silbo.
My bare, bony feet running, following,
racing toward Rosaâ¦.
José
All night I stand guard, singing silently
inside my mind, to keep myself awake.
In daylight I sleep, while others watch.
A whistle reaches into my dreamâ¦
the face of a pale, skeletal child,
two eyes, deep green pools
of fearâ¦.
Silvia
Does the old man in the forest
know that he sings in his sleep?
I stare, he stares,
then we both smile.
Rosa, I hear myself chant the name
over and over,
begging for a flower-woman
who will teach me how to save lives.
I tell the old man that I already know
the names of the blossoms, all I need is a chance
to learn their magic.
With a sigh, he says,
Yes of course, one more child
is always welcome,
follow meâ¦.
Rosa
The new girl is so thin and pale
that I cannot let her help me
until she has learned
how to heal herself.
I make her eat, sleep, rest.
She resists.
I see a story in her eyes.
She thinks she has no right to eat
while so many others starve.
Silvia
Rosa is a bully.
I thought she would be sweet and kind,
but she forces me to sip my soup,
and she stitches a cut on my forehead,
just a scratch from a thorn in the forest,
but she studies it the way I studied the forts
at the camp, with the holes for guns
that look like eyes.
The needle hurts, the thread itches.
Maybe I donât want to
Howard E. Wasdin and Stephen Templin