be a nurse after all.
Speed, Rosa tells me, is the best painkiller,
so she stitches my skin quickly, calmly,
her expression as mysterious as a book
written in some foreign alphabet
from a faraway land.
She looks at my tongue,
puts her finger on my wrist,
explains that she is counting my pulse.
She tells me I do not have leprosy or plague,
measles, tetanus, scarlet fever,
jaundice, or diptheria.
By now, she adds, you must be immune
to yellow fever,
and malaria, well, that is an illness most Cubans
will carry around
all our lives.
I picture myself lugging a suitcase loaded
with heavy diseasesâ¦.
I daydream a ship, an escape route, the oceanâ¦.
Rosa
The girl is well enough to learn.
I show her one cure at a time.
A poultice of okra for swelling.
Arrowroot to draw poison out of a wound.
Cactus fruit for soothing a cough.
Hibiscus juice for thirst.
Honey for healing.
I show her the workshop where saddles are made
with leather tanned by pomegranate juice,
and I show her the workshop
where hats are woven
from the dry, supple fiber of palm fronds,
and the place where candles
of beeswax are shaped
to light the rare books
from which cave children learn
how to read comforting Psalms,
and the
Simple Verses
of José MartÃ,
our poet of memory,
our memory of hopeâ¦.
Rosa
Young people are like the wood of a balsa tree,
light and airyâthey can float, like rafts,
like boatsâ¦.
José and I are the rock-hard wood
of a
guayacán
tree,
the one shipbuilders call Tree of Life
because it is so dense
and heavy with resin
that it sinks,
making the best propeller shaftsâ
the wood will never rot,
but it cannot floatâ¦.
Young people drift on airy daydreams.
Old folks help hold them in place.
Silvia
Rosa helps me see the caves
in her own way.
I gaze around at the forest,
where she has been free,
so alive in this wonder,
where trees grow like castle towers,
with windows opening
onto rooms of sunlight.
I can no longer imagine
living anywhere else,
without this garden of orchids
and bright macaws.
I think of all I know
about tales of castles.
There is always a dungeon,
and a chapel,
bells of hopeâ¦.
Rosa
Silvia tells me that she used to visit
her grandparents in town.
They kept caged birds,
and in the evenings they walked,
carrying the cages up a hill
to watch the sunset.
Inside each cage, the captive birds
sang and fluttered, wings dancing.
Silvia admits that she always wondered
whether the birds imagined they were flying,
or maybe they understood the limitations
of bamboo bars, the walls of each tiny cage.
Now I ask myself about my own limitations,
trying to serve as mother and grandmother
to a child who has lost
everyone she ever loved.
Rosa
The Fox has named me
the first woman Captain
of Military Health,
the first Cuban rebel army nurse
who will be remembered
by name.
I think of all the others
who went before me
in all three wars,
curing the wounded, healing the sick,
nameless women, forgotten now,
their voices and hands
just part of the forest,
whispering like pale
yagruma
leaves
in a breeze.
On hot days, even the shade
from a
yagruma
leaf
offers soothing medicine,
the magic of one quiet moment
of peace.
José
Warnings fly from every direction.
Lieutenant Death, the old slavehunter,
never gives up.
He is seen far too often, tracking, stalking,
hunting his prey.
The price for Rosaâs ear growsâ
her ear, the proof of her death.
I climb a towering palm tree,
to watch the movements of shadows below.
I wait, studying the shapes to see
which might be wounded rebels,
coming to Rosa for help,
and which could be Death,
bringing his nickname,
even though Rosa healed his flesh
so long ago.
She did not know
how to heal
his soul.
Lieutenant Death
Strangler fig, candle tree, dragonâs blood.
The names of forest plants lead me
toward Rosa the Witch.
I can