down, no pool of red. The carpetâs beige. Moving closer, I see that thereâs a faint mark on it in one corner, butâ¦âItâs not there,â I say.
Kit stands up. âIâm going back to bed,â he says, his voice stiff with fury.
âButâ¦how could it disappear?â
âDonât.â He raises his fist, smacks it against the wall. âWeâre not going to talk about this now. Iâve got a good idea: letâs never talk about it. Letâs pretend it didnât happen.â
âKitâ¦â
âI canât go on like this, Con.
We
canât go on like this.â
He pushes past me. I hear our bedroom door slam. Too shocked to cry, I sit down in the chair thatâs still warm from Kitâs body, and stare at the screen. When the lounge disappears, I wait for it to come back, in case the dead woman and the blood also come back. It seems unlikely, but then whatâs happened already is also unlikely, and yet it happened.
I sit through the tour of 11 Bentley Grove four times. Each time the kitchen fades, I hold my breath. Each time the lounge returns spotless, with no dead woman or blood in it. Eventually, because I donât know what else to do, I click on the âxâ in the top right-hand corner of the screen, shut the tour down.
Not possible.
One last time, starting from scratch
. I click on the internetExplorer icon, go back to Roundthehouses, retrace my steps: find 11 Bentley Grove again, click on the virtual tour button again, sit and watch. Thereâs no woman. No blood. Kit is still right. I am still wrong.
I slam my laptop shut. I ought to clear up the broken glass, and the real bloodstains on my own carpet. I stare down at Nulliâs certificate of incorporation, lying on the floor in its shattered frame. In my shock at seeing the dead woman, I must have knocked it off the wall. Kit will be upset about that.
As if he hasnât got enough to be upset about
.
Reframing a certificate is easy. Deciding what to do about a disappearing dead woman that you might have imagined in the first place â not so easy.
As far as I can see, I have two choices. I can either try to forget about it, talk myself into believing that the horrific scene I saw only ever existed in my mind. Or I can ring Simon Waterhouse.
Â
POLICE EXHIBIT REF: CB13345/432/19IG
CAVENDISH LODGE PRIMARY SCHOOL
BULLETIN NO. 581
Date: Monday 19th October 2009
Autumn Thoughts from Mrs Kennedyâs class
Conkers areâ¦
Silky smooth,
Velvety and chocolate brown
And rusty red on the outside.
Their shiny shells are crusty
Creamy and cool to touch.
I love Autumn because
Conkers fall off the trees in Autumn.
I love conkers SO much!
by Riordan Gilpatrick
Conkers
They fall off trees
Hit you on the head.
You can tie them on strings
Have fights with them
You can collect them
And put them on your shelf.
Green-brown-orange-red, thatâs the colour ofâ¦
Conkers!
by Emily Sabine
Well done to both of you â you have really brought Autumn to life in all our minds!
Thank you!
2
17/07/10
Betting man that he was, DC Chris Gibbs would have put the odds against Oliviaâs persuading the concierge to serve them yet another drink, long after the hotel bar had officially closed, at several thousand to one. Happily, heâd have been wrong.
âJust one more
titchy
little nightcap,â she breathed, as if confiding a secret. Where did she get that voice? It couldnât be natural; nothing about her seemed natural.
âWell, perhaps not quite so titchy,â Olivia quickly amended, once sheâd secured an agreement in principle. âA double Laphroaig for Chrissy and a double Baileys for me, since weâre celebrating.â
Gibbs tensed. No one had ever referred to him as âChrissyâ before. He prayed it wouldnât happen again, but didnât want to make an issue of it.
Fuck
. Did the concierge think he