palpitating walls. The many-fingered water opens the valves and rubs the stubborn erectile button hidden amid dripping folds. The reflections, the flames, the waves lock in embrace and draw apart. Quivering shadows above the space that pants like an animal, shadows of a double butterfly that opens, closes, opens its wings. Knots. The surging waves rise and fall on Splendor’s reclining body. The shadow of an animal drinking in shadows between the parted legs of the young woman. Water : shadow; light: silence. Light: water; shadow: silence. Silence: water; light: shadow.
8
Stains. Thickets. Surrounded, held prisoner amid the lines, the nooses, the loops of the liane. The eye lost in the profusion of paths that cross in all directions amid trees and foliage. Thickets: threads that knot together, tangled skeins of enigmas. Greenish-black coppices, brambles the color of fire or honey, quivering masses: the vegetation takes on an unreal, almost incorporeal appearance, as though it were a mere configuration of shadows and lights on a wall. But it is impenetrable. Sitting astride the towering wall, he contemplates the dense grove, scratches his bald rump, and says to himself: delight to the eye, defeat of reason. The sun burns the tips of the giant Burmese bamboos, so amazingly tall and slender: their shoots reach to a height of 130 feet and they measure scarcely ten inches in diameter. He moves his head, extremely slowly, from left to right, thus taking in the entire panorama before him, from the giant bamboos to the undergrowth of poisonous trees. As his eyes survey the dense mass, there are inscribed on his mind, with the same swiftness and accuracy as when letters of the alphabet typed on a machine by skilled hands are imprinted on a sheet of paper, the name and characteristics of each tree and each plant: the betel palm of the Philippines, whose fruit, the betel nut, perfumes the breath and turns saliva red; the doum palm and the nibung, the one a native of the Sudan and the other of Java, both of them supple trees that bend and sway gracefully; the kitul palm, from which the alcoholic beverage known as “toddy” is extracted; the talipot palm: its trunk is a hundred feet tall and four feet wide, and on reaching the age of forty it develops a creamy inflorescence that measures some twenty feet across, whereupon it dies; the guaco, celebrated for its curative powers under the name lignum vitae; the gutta-percha tree, slender and modest; the wild banana,
Musa Paradisiaca
, and the traveler’s tree, a vegetable fountain: it stores in the veins of its huge leaves quarts and quarts of potable water that thirsty travelers who have lost their way drink eagerly; the upa-tree: its bark contains ipoh, a poison that causes swelling and fever, sets the blood on fire, and kills; the Queensland shrub, covered with flowers resembling sea anemones, plants that produce dizziness and delirium; the tribes and confederations of hibiscuses and mallows; the rubber tree, confidant of the Olmecs, dripping with sap in the steamy shadows of the forest; the flame-colored mahogany; the okari nut tree, delight of the Papuan; the Ceylon jack, the fleshy brother of the breadfruit tree, whose fruits weigh more than fifty pounds; a tree well known in Sierra Leone: the poisonous sanny; the ram-butan of Malaya: its leaves, soft to the touch, hide fruits bristling with spines; the sausage tree; the daluk: its milky sap causes blindness; the bunya-bunya araucaria (better known, he thought with a smile, as the monkey-puzzle tree) and the South American araucaria, a bottle-green cone two hundred feet high; the magnolia of Hindustan, the champak mentioned by Vlmïki on describing the visit of Hanumn to the grove of Ashoka, on the grounds of the palace of Rv-ana, in Lanka; the sandalwood tree and the false sandalwood tree; the datura plant, the source of the drug of ascetics; the gum tree, in perpetual tumescence and de-tumescence; the kimuska, that the