youâhave you the secret?â
Henry sat down on the edge of the table and idly fingered one of the cards. âDonât believe me too much,â he said. âI donât believe myself. I donât know about the secretâno, I think we still have to find that out. But I thinkââhe dropped the card and looked burningly at his grandfatherââI think I have found the originals.â
Aaron gave a short gasp. âItâs not possible,â he began, and fell into a fit of trembling so great that he dropped again into his chair. When to a degree it had passed, he said once more, âItâs not possible.â
âYou think not?â the younger man asked.
âTell me,â Aaron exclaimed, leaning forward, âwhat are they? Why do you believeâhow can youâthat â¦â His voice stopped, so anxious was he, but after a momentâs pause he added, âTell me; tell me.â
âIt is so unlikely,â Henry began, âand yet with them there is nothing either likely or unlikely, is there? One cannot tell how they will move tomorrow. Tell me first, grandfather, do you still watch my future every day?â
âEvery day by the cards,â Aaron said.
âAnd did yesterday promise nothing for today?â the young man asked.
âNothing that I thought important,â Aaron answered. âSomething was to come to you, some piece of good luck. The ace of cups lay on the Wheel of Fortuneâbut I thought it had to do with your law. I put it by to ask you about when you came.â
âYou are old, grandfather,â Henry said. âAre the cups only deniers for you to think so?â
âBut what could I think?â Aaron protested. âIt was a dayâs chanceâI couldnât ⦠But what is it? What have you found?â
âI have told you I am betrothed,â Henry went on, using the solemn word as if deliberately, âand her father has had left himâby a friend of his who is deadâa collection of playing-cards. Oh, the usual thing, except for a set of the symbols. He showed them to us and I tell you, grandfather, I think it is the very one original set. Iâve come here tonight to see.â
âHave you got them?â the old one asked eagerly, but Henry shook his head.
âTime enough,â he said. âListen, among them is not the Chariot an Egyptian car, devised with two sphinxes, driven by a Greek, and having on it paintings of cities and islands?â
âIt is just that,â the other said.
âAnd Deathâis not Death a naked peasant, with a knife in his hand, with his sandals slung at his side?â
âIt is so,â the other said again.
âCertainly then they are the same,â Henry concluded. âBut let us look at them , for thatâs why I have come.â
The old man got up and took from an inner pocket of his coat a key. He walked slowly to the inner door, and Henry followed him. He put the key in the lock, turned it, and opened the door. Within the room they were on the point of entering, and directly before them, there hung from ceiling to floor thick black curtains, and for a moment, as he laid his hand on one of these, the old man hesitated. Then he half pulled it aside, half lifted it, and went through, holding it so that his grandson might enter after him.
The place into which they came was smaller than the outer room. It was hung all round with a heavy black stuff, and it was filled with a curious pale light, which certainly did not come through any window or other opening. The color of that pale light was uncertain; it seemed to change softly from one hue to another. Now it was red, as if it were the reflection of a very distant fire; now it was green, as if diffused through invisible waters that covered them; now it was darker and half obscured by vapor; now those vapors were dispelled and the clear pallor of early dawn exhibited
Elizabeth Amelia Barrington