still; it alone in the middle of all that curious dance did not move, though it stood as if poised for running. The lynx or other great cat by its side was motionless also. They pausedâthe man and the beastâas if struck into inactivity in the very midst of activity. And all about them, sliding, stepping, leaping, rolling, the complex dance went on.
âThat certainly,â Henry said, turning slowly away.
The old man took a step to meet him. âBut then,â he whispered, so that his faint voice blended with the faint music, âbut then we can find outâat any momentâwhat the dance says? We can tell what the future will beâfrom what the present is?â
Henry spread out his hands towards the table, as if he were laying something down. âThat could be done, I suppose,â he answered. âBut if the Fool does not move, how will it affect divination? Donât your books tell you anything?â
âThere are no writings which tell us anything at all of the Fool,â Aaron said.
They stood still for what might have been two or three minutes, watching that unresting movement, hearing that unceasing sound, themselves changed from moment to moment in that altering light; then Aaron said, âCome away now. I donât like to watch too long, unless I am working at the order of the dance.â
Henry stood for a moment longer. âI wonder if you can know the dance without being among the dancers,â he said.
âBut we are,â the old man answered hurriedly, âwe areâeverything is.â
âOh, as everything is,â Henry uttered scornfully, âas stones or winds or ships. But stones and winds and ships donât know . And to knowâââ He fell silent, and stood meditating till the other pulled at his arm, then, a little reluctantly, he turned to withdraw, and between the curtains and through the doorway they came into the outer room. Aaron locked the door and went back to his seat at the table, whence he looked inquiringly at his grandson.
âWhat will you do now about the cards?â he asked.
Henry came back from his secret thoughts with an abrupt movement of his body and smiled, though his eyes remained brilliant and somber. âI donât know,â he admitted. âRemember, Iâve only just seen them.â
âThis owner, this fatherâwill he sell them?â Aaron asked.
Henry played a tune on the table. âIf he doesnât,â he answered slowly, âI donât know quite how ⦠He is supposed, at his deathâor before, perhapsâto give them to the British Museum. All of them.â
âWhat?â Aaron cried out in something like terror. âBut thatâs imbecile. Surely heâd sellâif we offered him enough.â
Henry shook his head. âI donât know,â he said. âHeâs a man whoâs got pretty well everything he wants and finds it entirely useless to him. He doesnât need money at all badly. He can think of nothing that will give him pleasure, and because of that he doesnât like other people to have too much pleasure. No, he isnât cruel; heâs even kind in his own way. But he holds on to his own as a child does to a broken toyâbecause one day it might want it or because it doesnât like to see another child playing with what was once its own.â
âBut money?â Aaron urged.
âI tell you he doesnât want money,â Henry said.
âWouldnât he give it to his daughter?â Aaron asked more hopefully. âAre you going to marry her?â
âHe canât easily give her one pack out of the whole collection, and the rest to the Museum,â Henry answered. âYesâI shall marry her. I think perhapsâbut that doesnât matter. But if he gives her the whole lot he will be bothered by his friendâs wish; and if he gives her one pack he will be bothered by
Richard Ellis Preston Jr.