itself within the room. To this changing phenomenon of light the two men paid no attention; they were gazing at a table which stood in the center.
It was a table made of some strange kind of wood; so much could be seen from the single central support which opened at the bottom into four foot-pieces, and each of these again into some twelve or fourteen claws, upon the whole fifty-six of which the table rested. But the top was hidden, for it was covered by a plate of what looked like gold, marked very intricately with a pattern, or perhaps with two patterns, one of squares, and one of circles, so that the eyes, as with a chess board, saw now one and now the other as predominant. Upon that plate of gold were a number of little figures, each about three inches high, also of gold, it seemed, very wonderfully wrought; so that the likeness to the chess board was even more pronounced, for to any hasty spectator (could such a one ever have penetrated there) the figures might have seemed like those in a game; only there were many of them, and they were all in movement. Gently and continuously they went, immingling, unrestingâas if to some complicated measure, and as if of their own volition. There must have been nearly a hundred of them, and from the golden plate upon which they went came a slight sound of musicâmore like an echo than a soundâsometimes quickening, sometimes slowing, to which the golden figures kept a duteous rhythm, or perhaps the faint sound itself was but their harmonized movement upon their field.
Henry took a few steps forward, slowly and softly, almost as if he were afraid that those small images would overhear him, and softly and slowly Aaron followed. They paused at a little distance from the table and stood gazing at the figures, the young man in a careful comparison of them with his memory of the newly found cards. He saw among them those who bore the coins and those who held swords or staffs or cups; and among these he searched for the shapes of the Greater Trumps, and one by one his eyes found them, but each separately, so that as he fastened his attention on one the rest faded around it to a golden blur. But there they were, in exact presentation: the Juggler who danced continuously round the edge of the circle, tossing little balls up and catching them again; the Emperor and Empress; the masculine and feminine hierophants; the old anchorite treading his measure and the hand-clasped lovers wheeling in theirs; a Sphinx-drawn chariot moving in a dancing guard of the four lesser orders; an image closing the mouth of a lion, and another bearing a cup closed by its hand, and another with scales but with unbandaged eyesâwhich had been numbered in the paintings under the titles of strength and temperance and justice; the wheel of fortune turning between two blinded shapes who bore it; two other shapes who bore between them a pole or cross on which hung by his foot the image of a man; the swift ubiquitous form of a sickle-armed Death; a horned mystery bestriding two chained victims; a tower that rose and fell into pieces, and then was re-arisen in some new place; and the woman who wore a crown of stars, and the twin beasts who had each of them on their heads a crescent moon, and the twin children on whose brows were two rayed suns in gloryâthe star, the moon, the sun; the heavenly form of judgment who danced with a skeleton half freed from its grave-clothes, and held a trumpet to its lips; and the single figure who leaped in a rapture and was named the world. One by one Henry recognized them and named them to himself, and all the while the tangled measure went swiftly on. After a few minutes he looked round. âTheyâre certainly the same; in every detail theyâre the same. Some of the attributed meanings arenât here, of course, but thatâs all.â
âEven to that?â Aaron asked in a low voice, and pointed to the Fool in the middle of the field.
It was
Richard Ellis Preston Jr.