the
background.â
Maigret stared at the photo. The line of
the shoulders was inviting. The woman was probably younger than Marie Léonnec. And
there was something extremely sensual about those breasts.
But also something vulgar too. The dress
looked shop-bought. Seduction on the cheap.
âIs there any red ink in the
house?â
âNo! Just green.â
âDid Le Clinche never use red
ink?â
âNo. He had his own ink, on
account of having a fountain pen. Special ink. Blue-black.â
Maigret stood up and made for the
door.
âDo you mind excusing
â¦?â
Moments later he was on board the
Océan
, searching first the wireless operatorâs cabin and then the
captainâs, which was dirty and full of clutter.
There was no red ink anywhere on the
trawler. None of the fishermen had ever seen any there.
When he left the boat, Maigret came in
for sour looks from the man in gaiters, who was still bawling at his men.
âDo you use red ink in any of your
offices?â
âRed ink? What for? Weâre
not running a school â¦â
But suddenly, as if heâd just
remembered something:
âFallut was the only one who ever
wrote in red ink, when he was working at home, in Rue dâÃtretat. But
whatâs all this about now? ⦠You down there, watch out
for that truck! All we need now is an accident! ⦠So what
are you after now with your red ink?â
âNothing ⦠Much
obliged.â
Louis reappeared bootless and a few
sheets to the wind, with a roughneckâs cap on his head and a pair of scuffed
shoes on his feet.
3.
The Headless Photograph
⦠and that no one could tell me to
my face and that Iâve got savings, which are at least the equivalent of a
captainâs pay.
Maigret left Madame Bernard standing on
the doorstep of her small house in Rue dâÃtretat. She was about fifty, very
well preserved, and she had just spoken for a full half-hour about her first
husband, about being a widow, about the captain, whom she had taken as her lodger,
about the rumours which had circulated about their relationship and, finally, about
an unnamed female who was beyond a shadow of a doubt a âloose
womanâ.
The inspector had looked round the whole
house, which was well kept but full of objects in rather bad taste. Captain
Fallutâs room was still as it had been arranged in readiness for his
return.
Few personal possessions: some clothes
in a trunk, a handful of books, mostly adventure yarns, and pictures of boats.
All redolent of an uneventful,
unremarkable life.
â⦠It was understood though not
finally settled, but we both knew that we would eventually get married. I would
bring the house, furniture and bed linen. Nothing would have changed, and we would
have been comfortably off,
especially in
three or four yearsâ time, after he got his pension.â
Visible through the windows were the
grocerâs opposite, the road that ran down the hill and the pavement, where
children were playing.
âAnd then this last winter he met
that woman, and everything was turned upside down. At his age! How can a man lose
his head over a creature like that? And he kept it all very secret. He must have
been going to see her in Le Havre or somewhere, for no one here ever saw them
together. I had a feeling that something was going on. He started buying more
expensive underwear. And once, even a pair of silk socks! As there wasnât
anything definite between us, it was none of my business, and I didnât want to
look as if I was trying to defend my interests.â
The interview with Madame Bernard cast
light on one whole area of the dead manâs life. The small, middle-aged man who
returned to port after a long tour on a trawler and spent his winters living like an
upstanding citizen, with Madame Bernard, who