Ten Years in the Tub

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Book: Ten Years in the Tub Read Online Free PDF
Author: Nick Hornby
Six Days of War —Michael B. Oren
    Â Â Â Â Â     Genome —Matt Ridley
    Â Â Â Â Â     Isaac Newton —James Gleick
    Â Â Â Â Â     God’s Pocket —Pete Dexter
    Â Â Â Â Â     The Poet and the Murderer —Simon Worrall
    Â Â Â Â Â     Sputnik Sweetheart —Haruki Murakami
    Â Â Â Â Â     Lie Down in Darkness —William Styron
    Â Â Â Â Â     Leadville —Edward Platt
    Â Â Â Â Â     Master Georgie —Beryl Bainbridge
    Â Â Â Â Â     How to Breathe Underwater —Julie Orringer (two copies)
    BOOKS READ :
    Â Â Â Â Â     A Tragic Honesty: The Life and Work of Richard Yates —Blake Bailey (completed)
    Â Â Â Â Â     Wenger: The Making of a Legend —Jasper Rees
    Â Â Â Â Â     How to Breathe Underwater —Julie Orringer
    Â Â Â Â Â     Bush at War —Bob Woodward (unfinished)
    Â Â Â Â Â     Unnamed Literary Novel (abandoned)
    Â Â Â Â Â     Unnamed Work of Nonfiction (abandoned)
    Â Â Â Â Â     No Name —Wilkie Collins (unfinished)
    LITERARY CDS BOUGHT AND LISTENED TO :
    Â Â Â Â Â     The Spoken Word—Poets
    Â Â Â Â Â     The Spoken Word—Writers
    U nfinished, abandoned, abandoned, unfinished. Well, you can’t say I didn’t warn you. In the first of these columns, I voiced the suspicion that my then-current reading jag was unsustainable: I was worried, I seem torecall, about the end of the summer, and the forthcoming football season, and it’s true that both of these factors have had an adverse effect on book consumption. (Words added to ongoing novel since autumnal return to work: not many, but more than the month before. Football matches watched in the last month: seven whole ones, four of them live in the stadium, and bits and pieces of probably half a dozen others.) Of the two books I started and finished this month, one I read in a day, mostly on a plane, during a day trip to Amsterdam. And it was a book about football.
    It is not only sport and work that have slowed me up, however; I would have to say that the ethos of this magazine has inhibited me a little too. As you are probably aware by now, the Believer has taken the honorable and commendable view that, if it is attacks on contemporary writers and writing you wish to read, then you can choose from an endless range of magazines and newspapers elsewhere—just about all of them, in fact—and that therefore the Believer will contain only acid-free literary criticism.
    This position is, however, likely to cause difficulties if your brief is simply to write honestly about the books you have been reading: boredom and, very occasionally, despair is part of the reading life, after all. Last month, mindful of the Believer ’s raison d’être, I expressed mild disappointment with a couple of the books I had read. I don’t remember the exact words; but I said something to the effect that, if I were physically compelled to express a view as to whether the Disappointing Novel was better or worse than Crime and Punishment , then I would keep my opinion to myself, no matter how excruciating the pain, such was my respect for the editorial credo. If, however, the torturers threatened my children, then I would—with the utmost reluctance—voice a very slight preference for Crime and Punishment .
    Uproar ensued. Voicing a slight preference for Crime and Punishment over the Disappointing Novel under threat of torture to my children constituted a Snark, it appeared, and I was summoned to appear before the Believer committee—twelve rather eerie young men and women (six of each, naturally), all dressed in white robes and smiling maniacally, like a sort of literary equivalent of the Polyphonic Spree. I was given a
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