Six Days of War âMichael B. Oren
       Genome âMatt Ridley
       Isaac Newton âJames Gleick
       Godâs Pocket âPete Dexter
       The Poet and the Murderer âSimon Worrall
       Sputnik Sweetheart âHaruki Murakami
       Lie Down in Darkness âWilliam Styron
       Leadville âEdward Platt
       Master Georgie âBeryl Bainbridge
       How to Breathe Underwater âJulie Orringer (two copies)
BOOKS READ :
       A Tragic Honesty: The Life and Work of Richard Yates âBlake Bailey (completed)
       Wenger: The Making of a Legend âJasper Rees
       How to Breathe Underwater âJulie Orringer
       Bush at War âBob Woodward (unfinished)
       Unnamed Literary Novel (abandoned)
       Unnamed Work of Nonfiction (abandoned)
       No Name âWilkie Collins (unfinished)
LITERARY CDS BOUGHT AND LISTENED TO :
       The Spoken WordâPoets
       The Spoken WordâWriters
U nfinished, abandoned, abandoned, unfinished. Well, you canât say I didnât warn you. In the first of these columns, I voiced the suspicion that my then-current reading jag was unsustainable: I was worried, I seem torecall, about the end of the summer, and the forthcoming football season, and itâs true that both of these factors have had an adverse effect on book consumption. (Words added to ongoing novel since autumnal return to work: not many, but more than the month before. Football matches watched in the last month: seven whole ones, four of them live in the stadium, and bits and pieces of probably half a dozen others.) Of the two books I started and finished this month, one I read in a day, mostly on a plane, during a day trip to Amsterdam. And it was a book about football.
It is not only sport and work that have slowed me up, however; I would have to say that the ethos of this magazine has inhibited me a little too. As you are probably aware by now, the Believer has taken the honorable and commendable view that, if it is attacks on contemporary writers and writing you wish to read, then you can choose from an endless range of magazines and newspapers elsewhereâjust about all of them, in factâand that therefore the Believer will contain only acid-free literary criticism.
This position is, however, likely to cause difficulties if your brief is simply to write honestly about the books you have been reading: boredom and, very occasionally, despair is part of the reading life, after all. Last month, mindful of the Believer âs raison dâêtre, I expressed mild disappointment with a couple of the books I had read. I donât remember the exact words; but I said something to the effect that, if I were physically compelled to express a view as to whether the Disappointing Novel was better or worse than Crime and Punishment , then I would keep my opinion to myself, no matter how excruciating the pain, such was my respect for the editorial credo. If, however, the torturers threatened my children, then I wouldâwith the utmost reluctanceâvoice a very slight preference for Crime and Punishment .
Uproar ensued. Voicing a slight preference for Crime and Punishment over the Disappointing Novel under threat of torture to my children constituted a Snark, it appeared, and I was summoned to appear before the Believer committeeâtwelve rather eerie young men and women (six of each, naturally), all dressed in white robes and smiling maniacally, like a sort of literary equivalent of the Polyphonic Spree. I was given a