in 7F, a pleasant elderly couple, and the German-accented Bruhns and their son Walter in 7C. They smiled and nodded in the hall to the Kelloggs, 7G, Mr. Stein, 7H, and the Messrs. Dubin and DeVore, 7B. (Rosemary learned everyone’s name immediately, from doorbells and from face-up mail on doormats, which she had no qualms about reading.) The Kapps in 7D, unseen and with no mail, were apparently still away for the summer; and the Castevets in 7A, heard (“Roman! Where’s Terry?”) but unseen, were either recluses or comers-and-goers-at-odd-hours. Their door was opposite the elevator, their doormat supremely readable. They got air mail letters from a surprising variety of places: Hawick, Scotland; Langeac, France; Vitória, Brazil; Cessnock, Australia. They subscribed to both Life and Look .
No sign at all did Rosemary and Guy see of the Trench sisters, Adrian Marcato, Keith Kennedy, Pearl Ames, or their latter-day equivalents. Dubin and DeVore were homosexuals; everyone else seemed entirely commonplace.
Almost every night the midwestern bray could be heard, from the apartment which, Rosemary and Guy came to realize, had originally been the bigger front part of their own. “But it’s impossible to be a hundred per cent sure!” the woman argued, and, “If you want my opinion, we shouldn’t tell her at all ; that’s my opinion!”
One Saturday night the Castevets had a party, with a dozen or so people talking and singing. Guy fell asleep easily but Rosemary lay awake until after two, hearing flat unmusical singing and a flute or clarinet that piped along beside it.
The only time Rosemary remembered Hutch’s misgivings and was made uneasy by them was when she went down to the basement every fourth day or so to do the laundry. The service elevator was in itself unsettling—small, unmanned, and given to sudden creaks and tremors—and the basement was an eerie place of once-whitewashed brick passageways where footfalls whispered distantly and unseen doors thudded closed, where castoff refrigerators faced the wall under glary bulbs in wire cages.
It was here, Rosemary would remember, that a dead baby wrapped in newspaper had not so long ago been found. Whose baby had it been, and how had it died? Who had found it? Had the person who left it been caught and punished? She thought of going to the library and reading the story in old newspapers as Hutch had done; but that would have made it more real, more dreadful than it already was. To know the spot where the baby had lain, to have perhaps to walk past it on the way to the laundry room and again on the way back to the elevator, would have been unbearable. Partial ignorance, she decided, was partial bliss. Damn Hutch and his good intentions!
The laundry room would have done nicely in a prison: steamy brick walls, more bulbs in cages, and scores of deep double sinks in iron-mesh cubicles. There were coin-operated washers and dryers and, in most of the padlocked cubicles, privately owned machines. Rosemary came down on weekends or after five; earlier on weekdays a bevy of Negro laundresses ironed and gossiped and had abruptly fallen silent at her one unknowing intrusion. She had smiled all around and tried to be invisible, but they hadn’t spoken another word and she had felt self-conscious, clumsy, and Negro-oppressing.
One afternoon, when she and Guy had been in the Bramford a little over two weeks, Rosemary was sitting in the laundry room at 5:15 reading The New Yorker and waiting to add softener to the rinse water when a girl her own age came in—a dark-haired cameo-faced girl who, Rosemary realized with a start, was Anna Maria Alberghetti. She was wearing white sandals, black shorts, and an apricot silk blouse, and was carrying a yellow plastic laundry basket. Nodding at Rosemary and then not looking at her, she went to one of the washers, opened it, and began feeding dirty clothes into it.
Anna Maria Alberghetti, as far as Rosemary knew, did not live at
Carmen Caine, Madison Adler