who were to march doggedly through blowing, shifting sands north towards Erighaya, capital city of the Kislik, on the far side of the desert that lay west of the Golden Riverâs bend.
Those troops would carry orders to besiege and destroy Erighaya, and bring Kislik leaders in chains to Hanjin. They were to claim steppe wives and daughters to service and assuage the army, and be slaves, and so humble the barbarians of the northwest before the gathered and glorious might of Kitai and its emperor.
They forgot something, though, heading north. They really did forget something.
In a springtime before that northern march took place, a girl was walking beside her father amid chaos and excitement in a very crowded city.
You could declare it madness, a collective fever, the way in which Yenling, second city of the empire, was transformed during the Peony Festival.
Every spring, for the two weeks when the king of flowers bloomed, it became nearly impossible to move along Yenling streets and lanes, or find a room at an inn.
Houses great and small were filled with returning family and guests from out of town. People offered space, three or four to a bed or a pallet on the floor, to strangers for considerable sums. A place to sleep for a delirious spring interlude, before normal life resumed.
There was nothing resembling normal life during the festival.
Long Life Temple Road all the way down to the principal western gate, and both sides of Moon Dike Road, were crowded with hastily erected tents and pavilions selling peonies.
Yao Yellows (affectionately called âThe Palace Ladyâ) and Wei Reds cost thousands of cash for a single perfect blossom. Those were the most glorious graftings, the celebrated ones, and only the wealthiest could claim them.
But there were less extravagant varieties. Zuo Purple and Hidden Stream Scarlet, Sash Maroon, the Nine Petal Pearl, the exquisite, tiny petals of the Shuoun. Ninety different kinds of peony could be found in Yenling as the sun returned in spring, their blooming an occasion for joy, whatever else might be happening in the empire, on its borders, in the world.
When the first blossoms appeared a postal express began, racing east each morning along the reserved middle lane of the imperial road. There were six stations between Yenling and Hanjin. A fast relay of riders and horses could do it in a day and a night, carrying flowers, so that the Son of Heaven might share in the glorious splendour.
Yenling had been celebrated for its peonies for more than four hundred years, and the peony had been the imperial flower for longer than that.
It was derided by ascetic philosophers, declared to be artificialâpeonies were grafted, constructed by man, not natural. It was disdained as gaudy and sensuous, too seductively
feminine
to justify exaltation, especially compared to the austere, masculine bamboo or flowering plum.
These views were known but they didnât matter, not even at court. The peony obsession had become a supreme case of popular wisdom (or madness) overriding the reflections of sages.
Everyone who could came to Yenling at festival time.
People walked the streets with flowers pinned to their hats. Aristocrats were carried in their chairs, and so were high-ranking members of the civil service in their long robes. Simple tradesmen crowded the lanes, and farmers pushed into the city to see the flowers and the entertainment.
The more important gardens made a great deal of money for their owners as peonies were sold outside their gates or along the streets.
The Wei family, those artisans of the flower, charged ten cash just to enter their walled garden and take the small boat across to the island in the pond where their best peonies were grown. The family hired guards; you were beaten if you touched a blossom.
There was immense skill to the grafting of the flawless, redolent blossoms. People paid to walk along winding paths to see and smell the profligate profusion.
Carmen Caine, Madison Adler