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all—breathing was important in archery—but couldn’t say that he had been. Nor had he been aware of movement, anything at all, from the sub-prefect or the other guards. Not after Wang Fuyin’s first outraged, frightened cry. He’d put arrows in seven men, himself. But that was too easy a way to say it. Men had been living and were dead. He’d killed them. You could divide your own life with something like that, Ren Daiyan thought.
    You’d never killed anyone. Then you had.
    It is well known, inevitable, that legends take shape around the early lives of those who become celebrated or notorious. The stories can grow fanciful, gather luridly exaggerated details: that is what a legend is. A hundred men killed single-handedly. An enemy city, walls three times a man’s height, scaled by night, alone. An immortal poem written by a supernaturally gifted child with his father’s ink and brush. An imperial princess seduced in a courtyard of the palace beside a fountain, then pining away for love.
    In the matter of Ren Daiyan and his first encounter with outlaws on a path east of Shengdu one autumn day—the day he left home and changed his life—the tale retained considerable accuracy.
    That was because Sub-prefect Wang Fuyin, later to become a figure of note himself, recorded the incident in an official dispatch while reporting also his own successful investigation, arrest, and execution of a murderer in a nearby village.
    Sub-prefect Wang went into some detail as to how he had conducted this investigation. It was ingenious, and he was commended for it. That successful inquiry, in fact, would set Wang Fuyin on his own altered path. He became, by his own account, a changed man from that day, with new purpose and direction.
    He retold the story of the outlaws and Ren Daiyan in his late-in-life memoirs, drawing upon his early writings (copies carefully kept) from those days when he’d just begun his career, in remote Szechen.
    He was as particular and precise in old age as he had been when young, and he prided himself all his life on his strong prose (and calligraphy). The number of outlaws in his memoir remained seven. Ren Daiyan was always fifteen years of age (not twelve, as in some versions). Wang Fuyin even wrote that one of the bandits was only wounded by Daiyan. Another of their bowmen had leaped—dramatically—from his horse to dispatch that seventh man where he lay on the ground.
    Fuyin, white-haired at the time of this writing, allowed himself a hint of irony in describing that last “courageous” action. He was well known by then for wit, for clear exposition, for his books on judicial investigation (which had become texts for all magistrates in Kitai), and for being a survivor of the chaos of their time.
    There were not many such survivors among those who had been at or near the centre of power in those days. It had taken skill, tact, an ability to choose friends well, and a great deal of luck.
    Luck was always part of it, one way or another.
    DAIYAN WAS AWARE , immediately, that his life had just changed. What followed on that lonely path between forest and cliffs felt destined, necessary, not truly a matter of choosing. It was more as if the choice had been made for him, he was only the agency of its working.
    He got down from his horse. He walked over and took his arrows from the bodies of the slain men. The sun was west, shining along the path, under-lighting clouds. A wind was blowing. He remembered feeling chilled, and thinking that might be a reaction to what had just happened.
    You’d never killed anyone. Then you had.
    He took the arrows from the men behind them first. One of them right next to the trees. Then he went and pulled out four from the outlaws on the road ahead, the ones they’d seen first. Without giving it a great deal of thought, he turned over the body of the largest man and he took the two crossed swords and their leather