valid conclusions. He sank to his knees and could only watch as a tall man in a gray parka materialized from the white mist and gazed down at the dog.
âA damned shame,â he said tersely.
The man presented an imposing appearance. The oak-tanned face looked out of place for the Arctic. And the features were firm, almost cruel. Yet it was the eyes that struck Koplin. He had never seen eyes quite like them. They were a deep sea-green and radiated a penetrating kind of warmth, a marked contrast from the hard lines etched in the face.
The man turned to Koplin and smiled. âDr. Koplin, I presume?â The tone was soft and effortless.
The stranger pushed a handgun with a silencer into a pocket, knelt down to eye level, and nodded at the blood spreading through the material of Koplinâs parka. âIâd better get you to where I can take a look at that.â Then he picked Koplin up as one might a child and began trudging down the mountain toward the sea.
âWho are you?â Koplin muttered.
âMy name is Pitt. Dirk Pitt.â
âI donât understandâ¦where did you come from?â
Koplin never heard the answer. At that moment, the black cover of unconsciousness abruptly lifted up, and he fell gratefully under it.
3
Seagram finished off a margarita as he waited in a little garden restaurant just off Capitol Street to have lunch with his wife. She was late. Never in the eight years they had been married had he known her to arrive anywhere on time. He caught the waiterâs attention and gestured for another drink.
Dana Seagram finally entered and stood in the foyer a moment searching for her husband. She spotted him and began meandering between the tables in his direction. She wore an orange sweater and a brown tweed skirt so youthfully it made her seem like a coed in graduate school. Her hair was blond and tied with a scarf, and her coffee-brown eyes were funny and gay and quick.
âBeen waiting long?â she said, smiling.
âEighteen minutes to be precise,â he said. âAbout two minutes, ten seconds longer than your usual arrivals.â
âIâm sorry,â she replied. âAdmiral Sandecker called a staff meeting, and it dragged on later than Iâd figured.â
âWhatâs his latest brainstorm?â
âA new wing for the Maritime Museum. Heâs got the budget and now heâs making plans to obtain the artifacts.â
âArtifacts?â Seagram asked.
âBits and pieces salvaged from famous ships.â The waiter came with Seagramâs drink and Dana ordered a daiquiri. âItâs amazing how little is left. A life belt or two from the Lusitania , a ventilator from the Maine here, an anchor from the Bounty there; none of it housed decently under one roof.â
âI should think there are better ways of blowing the taxpayerâs money.â
Her face flushed. âWhat do you mean?â
âCollecting old junk,â he said diffidently, âenshrining rusted and corroded bits of nonidentifiable trash under a glass case to be dusted and gawked at. Itâs a waste.â
The battle flags were raised.
âThe preservation of ships and boats provides an important link with manâs historical past.â Danaâs brown eyes blazed. âContributing to knowledge is an endeavor an asshole like you cares nothing about.â
âSpoken like a true marine archaeologist,â he said.
She smiled crookedly. âIt still frosts your balls that your wife made something of herself, doesnât it?â
âThe only thing that frosts my balls, sweetheart, is your locker-room language. Why is it every liberated female thinks itâs chic to cuss?â
âYouâre hardly one to provide a lesson in savoir-faire,â she said. âFive years in the big city and you still dress like an Omaha anvil salesman. Why canât you style your hair like other men? That Ivy League