dimmer, until I felt as though I was
zigzagging along the channel of a steep ravine, a dark urban gorge
cut through the faded concrete facades by a long-vanished river.
The rusted fire escapes were escarpments of rock, the hanging
laundry tangled vines, a lone sodium-arc roof light a yellowed, gibbous
moon.
I made my way back to the hotel. By the time I reached the rear
entrance, my heart rate was normal again. I started thinking ahead,
thinking about Belghazi.
Right, Belghazi. The main event. No more sideshows. I'd get
close, do it right, and get out. After that, a big payday. Big enough
so that afterward I would get clear of this shit forever.
Or at least for a reasonably long while.
TWO
The next morning, Keiko and I enjoyed another leisurely breakfast in the hotel's Cafe Girassol, then whiled
away an hour browsing the hotel shops, all of which offered splendid
views of the lobby. But Belghazi never showed.
Around noon, I went to an Internet cafe to check the electronic
bulletin board that I was using to communicate with Tomohisa
Kanezaki, my contact inside the CIA. Before going further, I
downloaded a copy of security software and installed it, as I always do,
to confirm that the terminal I was using was free of "snoopware"-- software, some commercial, some hacker-devised, that monitors
keystrokes, transmits screen images, and that can otherwise compromise
a computer's security. Hackers love to remotely place the
software on public terminals, like the ones you see in airports, libraries, copy shops, and, of course, Internet cafes, from which they
then harvest passwords, credit card numbers, bank accounts, hell,
entire online identities.
This one was clean. I checked the bulletin board. There was a
message waiting: "Call me."
That was all. I logged out and left.
Outside, I turned on the encrypted cell phone the Agency had
provided me, punched in the number I had memorized, and started
walking to make it harder for anyone to triangulate.
I heard a single ring on the other end, then Kanezaki's voice. "Moshi moshi," he said.
Kanezaki is an American sansei, or third-generation Japanese,
and he likes to show off his language skills. I rarely indulge him.
"Hey," I said.
"Hey," he said, conceding. "I've been trying to call you."
I smiled. Kanezaki was part of the CIA, which in my book rendered
him automatically untrustworthy. Of course, he probably
had the same misgivings about me. But in Tokyo I had declined a
contract that his boss wanted to take out on him, and in fact had
warned him about it. You'd have to be a world-class ingrate not to
appreciate a favor like that, and I knew Kanezaki felt he owed me.
He'd feel that way not just because of what I had done, but also because
he was much more American than Japanese, and Americans,
whose self-image is so tied up with "fairness," wind up making
themselves suckers for the concept. His sentiment would take us
only so far, of course--in my experience, one of the guiding principles
of human relations seems to be "what have you done for me
lately"--but it "was something, a small antidote against the potential
poison of his professional affiliations.
"Unless I'm talking on it," I said, "I leave this thing turned off."
"Saving the battery?"
"Guarding my privacy."
"You're the poster boy for paranoia," he said, and I could see
him shaking his head on the other end. I smiled again. In some
ways I liked the kid in spite of his choice of employer. I'd been impressed
by the countermeasures he'd taken against his boss after my
warning, and some part of me enjoyed being able to watch his development
from naive idealist to increasingly seasoned player.
"Our friend just got in," he said.
"I know. I saw him last night."
"Good. You know, we're tracking him. If you'd leave the cell
phone on, we might be able to contact you with some timely information."
Although I didn't know for sure, I suspected the Agency had
been keeping tabs on
Carmen Caine, Madison Adler