drumstick!â
I do have more than my fair share. Thereâs nothing left in the pot but sauce and a few chunks of uninteresting vegetables.
âI can give you some of myââ
âNo, you will not.â My mother keeps her head down and tears off a piece of bread. Sheâs about to take a bite when she pauses and decides to set some ground rules.
âObayd is a boy. He needs the meat if heâs going to get stronger. I donât want to hear any more about it.â
Her tone shuts down the conversation. We eat in silence, Neelaâs jaw clamping down angrily on her dinner. I know sheâs got no real reason to be angry with me, but Iâm pretty sure she is.
My mother calls me into the kitchen. She reaches into the pocket of her dress and slips me a few afghanis, moremoney than Iâve ever had in my hands.
âTake this dough to the baker and come back with bread.â
It sounds simple enough. Iâve been to the market plenty of times with my mother. I used to go to the market in Kabul with my father, too, but that was when he had two legs. I walk slowly, watching the people around me to see if anyone notices that Iâm in pants for the first time ever. No one seems to realize.
Iâm carrying a metal tray with five mounds of dough. I know where the baker is. Stores run down the length of the dirt road that is our main market. The bakerâs shop is the fifth one on the block of shops, which are really clay-walled cubbies, some bigger than others. Most have carpets covering an earth floor. One is full of beans, flour, spices, and oil. Another contains fabric and a few sets of childrenâs clothes. They donât have doors, though two of them have curtains drawn to the side so the shopkeeper can watch the passersby in the street.
The baker is the busiest of them all. His store is easy to spot even from a distance because it has a red awning over the entrance. The store is a square space big enough for only him and his helper. They have trays of dough on the floor between them, right next to the big open mouth of the oven, a deep clay pot buried in the ground. The baker stares at me with one eye narrowed.
I donât know what to say.
âWhich is the dough and which is the boy?â he asks his friend, with a laugh. âHard to tell when neither one is talking.â
I clear my throat. He called me a boy.
âCan you bake these for us?â I hold my arms out a few inches, but Iâm still too far for the baker to reach.
âAre your feet stuck? Bring the dough over to me!â
I move because heâs loud and abrupt. My arms thrust the tray in front of his face. He shakes his head and takes it. His friend is chuckling when their eyes meet. My face is hotter than the oven. I turn to the side so they can see only a sliver of me. I canât face them, and turning my back to them feels so much worse. Iâm not used to being alone around men I donât know.
The roar of an engine makes me turn around. Two black jeeps with tinted windows drive by. I stare at them until I feel a whack on the back of my shoulder. I spin around, not sure what just happened.
âDonât stare,â says the bakerâs helper.
âI wasnât staring,â I reply. Heâs right, though. Cars like the ones that just passed by are not even common in Kabul, where there are way more vehicles than here. Naturally, they caught my attention.
âYouâll regret it. Those are Abdul Khaliqâs cars, and you donât want to be caught gawking at them.â
âAbdul Khaliqâ isnât he a warlord?â I remember Khala Aziza mentioning his name.
The baker laughs.
âWell, his twenty bodyguards seem to think so.â His voice grows a bit serious. âJust stay out of his way, kid. Thereâs nothing else to know.â
He stretches the dough out and lowers it into the oven. Just a few minutes later, he brings it out on a
The Duchesss Next Husband