Amiss headed for the door with his phone at the ready, she shouted after him: ‘Tell her it’s an emergency: the martini jug is empty.’
Disaster was averted when Amiss’ wife arrived in the bar just in time, accepted with equanimity that the baroness considered her tube train breaking down an inadequate excuse for missing martinis, and the soufflé and all that followed were such a success that even the baroness could find no fault. The marrowbone stew with herb dumplings had caused her so much ecstasy she had been moved to charge into the kitchen to congratulate everyone. In the interstices of criticising her guests for insufficiently attending to their food and wine, she listened with surprising attentiveness to Rachel’s account of what life was like as a probationary teacher in a London comprehensive.
By ten p.m. the five friends had settled in the gallery and had resolved the inevitable arguments with the baroness about whether, what, and how much they wanted to drink (‘You’re a crowd of blasted puritans’). Pooley and Rachel were drinking decaffeinated coffee (‘Wimps! The whole point of coffee is caffeine. I’ll have a double espresso.’) and nothing else (‘Typical!’). Mary Lou and Amiss had mollified their hostess by each ordering an Americano, agreeing to help her do justice to the decanter of port, and showing some interest in her impassioned explanation as to why the traditional Portuguese manner of treading grapes was immeasurably superior to anything a machine could do. After a few minutes, Pooley leaned forward and said, ‘Jack, I hate to interrupt, but I can’t stay long. If there’s anything else you want to tell us about, you should get on with it. I’ve an early start tomorrow and murderers to locate.’
Reluctantly, the baroness turned her attention away from the delights of the Douro River Valley. ‘I was seeking to alert you to the destruction of art, of course. Pay attention.’
Amiss yawned. ‘You’re always banging on about the destruction of something.’
‘What do you expect, when the Western world is going to hell?’ She reached again for her glass. ‘Do I not spend my life selflessly battling with the forces of anarchy?’
‘You’re usually leading the forces of anarchy.’
‘Only on battlegrounds of my choosing,’ she said stiffly. ‘When it’s a necessary means of getting my way. And anyway, I never defend intellectual or moral anarchy.’
‘I’ve heard you defend blackmail and intimidation,’ remarked Rachel.
‘If they’re my ends, they justify my means.’
Pooley was getting irritated. ‘Can we cut the philosophical niceties, Jack. I’m a simple policeman. Get to it. What’s up?’
‘We have fought the culture wars together, my friends,’ she said, waving her glass of port for emphasis. ‘But we cannot rest. The forces of darkness still reign. They must be overthrown. This time it’s the Satanic army of the art world that must be destroyed.’
Mary Lou looked apprehensive. ‘Haven’t you won enough cultural battles to justify hanging up your sword, Jack?’
‘Absolutely,’ said Amiss heartily. ‘When you come to think of it, you’ve been pretty comprehensive and successful.’
The baroness threw him a contemptuous look. ‘You’re mistaken if you think such blatant flattery will get you off the hook, Robert. I don’t indulge in false modesty…’
‘You can say that again,’ said Mary Lou.
‘Darling, please don’t interrupt her,’ said Pooley. ‘It only slows everything up.’
‘…so I recognise that I have had some small success in routing the evil forces of political correctness at St. Martha’s 2 and Paddington University. 3 And, of course, there was the Knapper-Warburton. 4 But I cannot rest upon my laurels. There’s much more to be done.’
She leaned forward confidingly. ‘Now, I recognise that I cannot fight and win global cultural wars. Mine have to be small canvases. Like Jane Austen’s. I am not