a big hole in the plaster and insert a plastic anchor. When the picture fell, it yanked the anchor right out of the wall. She looked around on the floor till she found it. The anchor had slid all the way down the hall onto the welcome mat by the front door.
She set the picture down and picked up the anchor. It was all bent and twisted. There was no way it would go back in that hole. And the plaster around the hole had split, making the hole too big, even if she could find another anchor somewhere in the garage.
She dreaded the thought, but sheâd have to tell Tom about this when he got home from work.
Tom loved this portrait almost as much as she hated it. It wasnât the picture inside so much as the whole look of it thatshe disliked. Theyâd had an argument over it the first week they moved into the house five years ago.
Before theyâd moved in, Tom had promised she would be in charge of decorating the house. Heâd take care of the landscaping and everything in the garage, sheâd get to make all the calls inside. Things had gone smoothly until she proudly showed him the family picture wall sheâd created in the hallway.
Her family always had one growing up. Tomâs did too. Family photos of all different shapes and sizes, people and places arranged just so on the hallway walls next to the stairs. On one side, the family pictures from the pastâa few of Tom and her as kids, their parents, some pics of their siblings, aunts, uncles, and grandparents.
The opposite wall was mostly empty . . . for now. Just a few 8-by-10s from their wedding day. The idea was to fill this wall with pictures of their family in the years to come. To Jean, it was perfect. Just the way it was.
Tom had taken one look at the family picture wall and said, âWhere is it?â He wasnât smiling.
Somehow she knew which picture he meant but pretended not to. âWhat do you mean?â
âYou know what Iâm talking about. Where is it?â
âThereâs no room for it, Tom. You can see that. The whole wall is filled up.â
âThen we need to make some room. I want that portrait on this wall. Where is it?â
It was time to take a stand. âWhatever happened to âIâm in charge of the outside, and you get to be in charge of the insideâ?â
âYou are in charge of the inside,â he said. âBut this isnât a decorating decision. You get to decide where it goes on the wall, not whether it goes up there at all.â He sighed, the way he did when he was trying to tone down the edge in his voice. âJean, that portrait is important to me. You know that. I canât believeyou thought you could leave it out. Itâs the only picture of my grandfather, my dad, and me together. The only one.â
She did know that. She knew it then and she knew it now, standing there in the hallway alone.
She looked at the picture again. Tom was only four years old at the time, maybe six months older than Tommy was now. He was sitting on his grandfatherâs knee; his own father, Jim, stood behind them, his hands resting on his fatherâs shoulders. Although the crack ran right through the faces of the three Anderson men, she could still see the resemblance between Tom and their sweet little son, especially the way he smiled.
Part of the reason she didnât like the portrait was that Tom was the only one in the picture who was smiling. Jim, her father-in-law, and Tomâs grandfather both stared straight ahead with stern looks on their faces, like people did back in the 1800s. Jean had heard that the two older Anderson men barely got along. Maybe that had something to do with it. But why couldnât they set their differences aside and smile for a family portrait?
Sheâd asked Tom about it several times, but he didnât know the answer and he kept forgetting to ask his father about it. She might have been able to look past the serious