doesnât seem to be in any hurry.
Ethan walks past with a takeaway coffee. âWasnât your excuse for monopolising the shower that you had to be at school on time?â he hassles.
âAnd Iâm going this second.â I jump up, grab my bag. Ethan disappears inside. Ben chews dolefully on his hoodie string.
âSigning out for another day of bum numbing in the classroom.â
Ben catches my eye and suddenly his face comes alive with mischief. Uh-oh.
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âIf Iâm going to wag,â I tell him finally, after endless pestering (heâs cute as a puppy, and puppies donât stop pestering until you kick them, or play with them), âIâll need a costume change.â I gesture at my school uniform.
âGo for it,â Ben says, watching eagerly.
âI donât have anything else to wear. I donât carry extra clothes like you balletbots.â
He throws his bag to me. âKnock yourself out.â
I find some convenient bushes to duck behind.
âI vote we go to the Aquarium,â he calls to me. âAnnoy the sharks.â
I throw out my school shirt. âHow exactly do you annoy a shark?â
âTell them theyâre not as pretty as dolphins?â
I step out, wearing an outfit cobbled together out of his ballet gear â an oversized tee, tights.
He looks me up and down. âI love you as me.â
I grab my clothes and stuff them in my schoolbag. Ben finds a card that has fluttered to the ground.
âWhoâs Anne Black?â he asks.
So maybe I didnât throw the card away. Maybe I transferred it from one outfit to another. Maybe Iâve been carrying it around with me for days, trying to decide if I want to call her.
âSome dodgy agent I met at Showcase. She wanted to meet with me.â
âBut thatâs awesome! You should ring her.â
âI bet she gives her card to every blonde who can do a time-step.â I go to grab it but he holds it out of reach, reminding me what a shorty I am. I jump ineffectually a few times.
âWell, cupcake,â Ben tells me. âItâs the agent or the sharks. Your pick.â
I look at him, thinking about it.
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The agency is a lot more swish than I expected.
âSee?â Ben says. âNot at all dodgy.â His eyes follow a tall, gorgeous model type walk across the foyer. I so donât belong here.
I notice Anne Black walk into the reception area. I donât expect her to remember me, but straight away she says, âKatrina?â
I forget to speak. The sharks would have been less intimidating. But Ben isnât intimidated by anything. âBen Tickle,â he says, thrusting out his hand. âHer manager.â
âMy friend,â I say. âWho needs managing.â
Anne smiles. I see Benâs charm works on young and old. âMr Tickle, your client and I need to talk.â
She ushers me through to her office.
âYouâve got five seconds,â she says to me.
âWhat? Oh. Well I ⦠itâs Katrina but everyone calls me Kat ⦠and I just thought. My friend Ben out there thought â¦â
Anne does the sound of a buzzer. I stop, startled. Anne laughs.
âThatâs how much time the casting directors will give you. You have to know who you are.â
In five seconds? When I havenât worked it out in sixteen years?
âYouâre your own business now. Youâre Katrina Karamakov.â
âI am?â
âBut you need to want this. Because when I believe in the artist more than they believe in themselves, that hurts, Katrina.â The phone rings and she answers it, but while she talks she scribbles something on a piece of paper. I blink at it, confused. She covers the mouthpiece. âAudition. This afternoon. It could be the start of a special and lucrative bond between us, Kat.â
CHAPTER 8
âCan we go now? Because thatâs unsettling.â
I point to the
Douglas E. Schoen, Melik Kaylan