âEver since he left for work.â
âDid he leave at his usual time?â Angelo asked.
âTwenty to eight. Yes. He always leaves at twenty to eight. Jack is a very organized person.â
âAnd you didnât ask him?â Gina said. âAbout the bottle?â
âGood heavens, no!â Mrs Shayler said. âI couldnât possibly do that.â
Angelo and Gina waited for Mrs Shayler to explain further, but her silence made it clear that while one can consult private detectives about oneâs husband, some things are beyond the pale.
Finally Angelo asked, âWhat does Mr Shayler do for a living?â
âHeâs an accountancy clerk. Heâs worked nineteen years for Whitfield, Hare and OâShea. In The Circus? Do you know it?â
âNo.â
âAnd every morning, rain or shine, summer or winter, Jack leaves the house at twenty minutes to eight and he walks to The Circus.â
âHe walks?â Angelo said.
âUp the passage from Walcot Street to the London Road. Along the London Road, crossing at the lights, and then to Bartlett Street. Up Bartlett Street to Bennett Street and then left to The Circus.â
âArriving at work?â
âIn time to get himself settled before starting promptly at eight.â
âExcuse me for asking,â Gina said, âbut how do you know his route so exactly?â
âHe always goes the same way. It helps him organize his mind for the dayâs work. I donât want to leave you with the impression that my Jack is never spontaneous or is a machine. But he does know what he likes. And he does know what he needs. And at the start of a new day he needs to be organized.â
Gina nodded and said, âWhen you tried to remember whether he had a hot drink last night, what did you decide?â
âHe had his mug as per normal,â Mrs Shayler said. âOf that Iâm certain. But what was in it, and whether it was hot, that I canât remember for the life of me.â
âI see,â Gina said.
âSometimes I notice the little steams rising up. Or I smell the Horlicks if heâs made his extra strong recipe because heâs working on accounts for an important client. But last night, I simply donât recall, and I wouldnât want to make it up when I didnât really remember. To tell the truth I was so wrapped up in my book that I just didnât notice. I should have, but I didnât. Iâm a bad and neglectful wife.â
âSo whatâs the bottom line?â Salvatore asked. âWhat put this guy off his stroke and made him leave the bottle out?â
âThatâs the critical question,â Angelo said.
âThe critical question,â the Old Man said, âis will she pay? An accountantâs clerk? I hope you werenât soft-soaped by saying how clever you are?â
âShe left a substantial retainer, Papa,â Angelo said.
âHow much?â
âShe left five hundred pounds.â
âFive hundred,â the Old Man said. He was not displeased. âSo where does she get this five hundred?â
âShe works, Papa,â Angelo said. âShe paints ceramic cottages. Do you know them? The âquaintâ cottages in the tourist shops?â
âThese she paints?â the Old Man said.
âShe does them at home. She saved the money for our retainer from that.â
âCottages,â the Old Man said. âThey never get the colour of the stone right, the warmth. Huh!â
âBut Dad,â David said, âwhat are you going to do for her?â
âShe wants a strategy that will find out what Jackâs problem is.â
âThe problem,â the Old Man said, âis this wife doesnât have enough cottages to paint so she spends her time counting bottles in, counting bottles out.â
âShe struck us as genuinely worried, Papa. And weâve got to take the facts as