about school. Iâm thinking about Mr. Sinclair and whether I should tell Mom he has a key and he let himself into the house. I mean, he could do that in the middle of the night while weâre sleeping. I picture him standing at the foot of my bed, staring at me.
Stop it, thatâs crazy.
Is it? Anyway, if I tell, so what? Momâll freak, but then sheâll say, âEvery landlord has a key, and I did ask him to clear things out, so itâs my fault. Donât worry. Iâll talk to him about limits.â And Mr. Sinclairâll say, âSorry,â and Mom will act like everythingâs fine. Only it wonât be. Mr. Sinclair will know Iâm scared, and heâll still have the key.
ââ¦And by the end of the year, Marcia and I were best friends.â Mom reaches across the table and puts her hand on mine. âTrust me, honey, things will get better. Things always get better.â
âOh yeah?â I pull my hand away, so mad I canât think. âThings always get better? Like with Dad?â Mom turns white. âIâm sorry. I didnât mean it.â
Mom gets up and takes our dishes to the sink. She braces herself against the counter.
âMom, Iâm sorry . Iâm really, really sorry.â
âNever mind. Go do your homework.â
âMomââ
She raises her hand, not mad or anything, just like itâs on a string. And I know thatâs it. Nothing I say can make it better.
7
I go up to my bedroom. Itâs at the top of the living room stairs, next to a small bathroom and near the big room over the kitchen. Thatâs the room Mom thought Iâd pick, and I would have, except for the trapdoor in the ceiling. Itâs sealed up with nails and paint. When I saw it, I asked Mom what she thought was up there.
âAn attic.â
âYeah, but whatâs in it?â I pictured a dried-up body, half eaten by mice. I mean, who seals up an empty attic? Anyway, thatâs why I didnât choose the big room. If I donât see the hatch, itâs easier not to think about whatâs on the other side.
The bedroom I picked came with an oak desk, a wooden chair, a night table with a lamp, and a metal-frame bed. The mattress is new, unlike the wallpaper, which is stained and peeling along the seams near the window. Under the peels are layers of older wallpaper, one with little orange canaries on it.
The window over my desk is the one good thing about my room. Looking out, I can see the barn with the fields all around and the woods in the distance. At night, the stars and the glow of the porch-lamp light up bits of the barn and the first row of cornstalks.
I start to do my homework. Pretty soon, though, Iâm looking out the window, watching the stars come out and trying to forget my life. I wonder who all are staring up at the moon right now. Are they wondering the same thing?
Out of the corner of my eye, I catch something moving by the barn. When I look, it disappears. Wait. There it is again, at the cornfield. Some movement, some thing .
I count to twenty. Nothing. I relax. Thenâdid that stalk move? I turn off my light so whateverâs out there canât see in.
Itâs probably just a breeze.
Or Mr. Sinclair. Or Cody and his gang.
Donât be nuts. If itâs anything, itâs an animal. A coyote or a dog.
The dogs. I close my curtains. If I donât look out, whateverâs there will go away. But I canât not look. I sneak a peek. Nothing. Wait. By the barn. Is that a boy?
I blink. The boy is gone.
My eyes scan the barn. Thereâs a missing board up in the loft area. The more I stare, the more I think I see the boy staring back at me from the shadows behind the hole. Heâs maybe ten, very pale, and heâs wearing one of those old Davy Crockett hats with the raccoon tail hanging from the back. Are those freckles on his cheeks?
Donât be crazy. The barnâs too far