But if Madelyn still owned those shares, she didnât need to worry about cash whenâ if âshe returned.
A second, smaller room lay beyond a connecting doorâRachel Boyleâs office. Unlike Madelynâs office, all of the tables and cabinet surfaces had been cleared of papers. Ash opened the drawers and looked through the shelves, hoping to find a personal item of Rachelâs. Anything. A single object to touch, to holdâand to see if it felt familiar.
She finished the search and came up empty. Nothing of Rachel remained here, and Rachelâs own apartment had been let to someone else shortly after her disappearance. Sheâd been survived by her parents in America; her belongings had probably been shipped to their home. Which meant Ash had nowhere left to look for answersâat least not in London.
So her next step would be finding Nicholas St. Croix.
Was it odd that no evidence of Madelynâs son existed in this house? Ash thought it must be. No pictures of Nicholas as a boy graced the tables; no family photos depicted happier times. Did Madelyn order them removed from her sightâout of spite or painâor had they simply never been a part of the décor?
Curious, Ash followed the hallway to the master bedroom. Maybe Madelyn hadnât expunged Nicholasâs presence from her house; perhaps sheâd simply kept the evidence somewhere more private.
Or perhaps not. Ash opened the door to another expensively appointed room devoid of any personality other than âtasteful.â Aside from Madelynâs painting in the library, the entire house could have been anyoneâs homeâexcept that anyone else would have left more of an impression on their surroundings.
Unless, of course, this house did reflect Madelynâs personality: sophisticated, disinterested . . . perfect.
But not everything was perfect. Something seemed wrong. Ash studied the room, trying to determine what didnât fitâand for the first time, not searching for something familiar, but just looking . Her gaze landed on the bed. The blankets stretched unevenly over the mattress. A pillow lay askew and dented at its center.
Someone had been sleeping in that bed. How long ago? A housekeeper wouldnât have left it like that. Breathing in through her nose, Ash detected a recent scent that sheâd begun to associate with male âand a connection suddenly lurked at the back of her mind, that half-seen lightning, that forgotten word.
Like Cinderella, a memoryâanother story. Whoâs been sleeping in my bed?
Ash knew the answer to this one: Goldilocks, whoâd broken into the bearsâ house. Although Ash had broken into this home, that wasnât the connection that teased her. She didnât sleep in anyoneâs bed, not even her own.
Every night, sheâd lain motionless beneath her blankets when the nurses had ordered her to, but she hadnât actually slept in almost three years.
So what was her mind trying to tease out of this memory? Ash moved closer to the bed, attempting to follow the tenuous association formed between now and Before. She didnât care about the man whoâd been sleeping here. He wasnât in this room now, but a connection to her past was . . . somewhere.
What was the rest of that story? Whoâs been eating my porridge? That wasnât her, either. Though sheâd eaten whenever they placed a meal in front of her, Ash hadnât been hungry. Since her escape from Nightingale House, four weeks had gone by without food passing her lips.
Perhaps her mind wasnât trying to remember an association with the story itself; perhaps the connection lay in the circumstances in which sheâd heard it. But she couldnât remember that. She couldnât remember whoâd told the story to herâor even whether sheâd read it, instead. She couldnât remember where sheâd been, or when . She tried to, but came
Under the Cover of the Moon (Cobblestone)