keeper pile, even though each glance would bring a little pang.
What was it about travel that was so potent? she wondered. People went thousands of miles to wind up with the same views as every other traveler, the same exact experiences repeated a million times. And yet within that rigid form, as you joined the millions posing in front of the same icons, everything wound up seeming unique and personal and worth the trip.
The music brought her out of her reverie. Peter, to her surprise, could play. Not just tunes, but the classics. From memory. She recognized this one as Russian, something romantic. She probably could have named it on a better day, when she wasnât on her knees, pawing through other peopleâs lives. The familiar melody rose slowly to the upper keys. Then a few muffled notes sounded, then stopped.
âDonât stop,â she said, barely aware of having said it.
âSorry,â Peter said, standing up with a frown. âThereâs something wrong with these strings.â A few seconds later and he was propping up the lid, looking inside. âLike thereâs something on top . . .â He squinted and reached around with his right hand. When he removed it, he was holding a standard-size manila envelope, folded in half. He unfolded it and saw that there were a few words written in pen across the center. âOpen only in case of my death.â The words hung melodramatically in the air.
âWhat?â Amy was off her knees now, stumbling over to the piano. âAre you kidding me?â But, of course, he wasnât. There they were, in sloppy, uneven block letters.
âOpen only in case of my death,â Peter repeated. Then, with a lift of his eyebrows, he obeyed, inserting his hand in the envelope and rummaging around. âNothing,â he reported and handed it off to Amy.
The envelope was indeed empty, but they could see from the creases and the open tear across the top fold that it had once held something. âIs this her handwriting?â Amy asked in a whisper, glancing off toward the open door. Archer was nowhere in sight.
âBlock letters? Could be anyone.â
âMaybe itâs not her.â Amyâs mind was racing around the possibilities. âCould this be a used piano?â
âWell . . .â Peter thought. âWe can ask Steinway to look up the serial number. But I think she ordered it new.â
âSo if itâs not from some previous owner . . . ,â Amy thought out loud. She held the envelope at armâs length, like a dead rat.
âShe wasnât murdered.â
âI didnât say she was.â
âYouâre implying it. This was cancer. She had the best doctors at Sloan Kettering working for months to keep her alive.â
âOf course.â But the words still stared up at her. âPeter, we need to call the police.â
âCall the police? Wha . . .â Amy hated it when people laughed and spoke at the same time. It was an irritating affectation. âAbout what?â he continued, laughing and speaking. âAn open envelope?â
âDonât you think itâs suspicious?â she argued. âA woman dies, and we find a message saying, âIf I die, open this.â And itâs empty.â
âIt could be anything,â Peter reasoned. âIt could have been a note saying, âFeed my catâ or âHere are my computer passwordsâ or âIâm the one who broke your favorite vase.ââ
âSomeone removed the letter.â
âYes, just like she told them to. You want to ask Archer about it? Letâs ask Archer.â
âYes. No. I guess so.â
âWhy are you reacting this way?â Something about Peterâs lack of suspicion was helping to put her at ease. âPeople leave notes when they die. Itâs kind of normal. Miss Archer!â He aimed his voice in the direction of the living room. âWill you
Lisa Mondello, L. A. Mondello