seemed eerily quiet. The Harlem River was hard by them, lapping away slowly. Vasquez needed two passes to find the scene, hidden behind a hairpin turn around a hurricane fence that was a magnet for trash. The old Fordâs headlights lit up some strands of crime-scene tape, waving idly where they had been broken, but still long and bright. Guthrie had her douse the lights before they climbed out, and then they stood for a minute, allowing their eyes to adjust to the gloom. Bowman had been murdered in a quiet, dark corner of the city.
The river added a tangy smell to the garbage. Cars buzzed and whirred distantly on the bridge. In the darkness, the lined columns could have been the arched nave of a church, with the insects quietly whispering prayers. Fragments of tape formed a communion rail around the altar of a green Dumpster. Graffiti made a resplendent iconostasis along the columns and abutment. Guthrie used a small flashlight. They searched the ground around the Dumpster. Amid the broken glass and litter, a few evidence flags remained pinned around a dark stain in the thirsty dust.
âSee anything else?â Guthrie asked.
Vasquez shook her head. She kicked a bottle.
A laugh floated from the darkness. âExpecting a party?â The voice sounded half-cracked and drunk.
âIn this part of the city, a wake, at least,â Guthrie called back.
âThem tight-ass micks donât drink to the dead no more.â
Quiet followed. A bottle gurgled faintly.
âYouâre out here a lot, arenât you?â the little man called.
Some gravel rattled. âYou ainât no cop.â
âNo.â
âDidnât think so. Cops ainât got pretty girls for partners.â
âYou got a face out there?â Vasquez demanded.
âWhat? For you to punch? Too drunk for that.â More laughter.
Guthrie kicked slowly through a pile of trash while Vasquez muttered threats.
âSo? You want to know about the little girl? Thatâs it?â
âYou know something?â Guthrie called.
More laughter, and then the thud of an empty bottle. âShe had a wad in her pocket. I been drunk all week.â
Guthrieâs face tightened; he waved at Vasquez to stay out of it. âYou came on it after, or were you near when it went down?â
âThis my spot, little man.â For a minute, silence threatened. Then gravel sounded from another direction. âHe came in here slow. I felt he was creeping ill, so I dee-deed. I look back, heâs already playing with the girl. Heâs posing her for the fashion show. I didnât know he had the pistol, then, bang !â Stones rattled, and something heavy slid in gravel. â Bang! Not little firecrackers, something heavy!â Footsteps followed after cracked laughter. âHe looked around, after. That kinda spooked me, like he could see or something.â
âWhat he looked like?â Vasquez demanded.
âLooked like?â Laughter was punctuated by gasps and rattling gravel. The voice was farther away. âI ainât no wit-ness!â
âWe gotta get him!â Vasquez hissed.
Guthrie shook his head. âRelax, will you? Donât chase squirrels. Squirrels come back for nuts.â The little man strolled back to the car. Vasquez hesitated a moment, then followed.
Â
CHAPTER THREE
Early the next morning, Guthrie picked Vasquez up in front of her parentsâ tenement apartment on Henry Street. The traffic on the Lower East Side was as thick as cool syrup on the streets and on the sidewalks as the workingmen walked to catch their trains. The tenements emerged from darkness as shades of gray, sparkling slowly in the sunshine. On the way downtown, the detectives drank coffee, and Vasquez finished waking. She aimed a few scowls at the little man while she searched for the bottom of her cup.
â Viejo, that was crazy to let the drunk get away,â she said.
âMaybe,â he