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up on Romantic literature (his favourite reading had been the poems of Ossian and The Sorrows of Young Werther) , which he came to believe in himself. ‘Is there a man blind enough not to see,’ he had declared during his Egyptian campaign in 1798, ‘that destiny directs all my operations?’ 6 Napoleon was also a great admirer of the plays of Corneille, and there is reason to believe he saw himself as acting out some great tragedy in their mould.
    This sense of living out a destiny was to lead him repeatedly into acting against his better judgement in pursuit of nebulous dreams. His triumphs in Italy, followed by his spectacular victories at Austerlitz and Jena, only confirmed him in this fantasy, which communicated itself to his troops. ‘The intoxication of our joyful and proud exaltation was at its height,’ wrote one young officer afterNapoleon’s triumph over Prussia. ‘One of our army corps proclaimed itself "the Tenth Legion of the New Caesar"!, another demanded that Napoleon should henceforth be known as "The Emperor of the West!"’ 7
    But Napoleon was also the ruler of France. As such, he was inevitably driven by the same political, cultural and psychological motors which had dictated the policies of French rulers of the past such as François I and Louis XIV, who had striven for French hegemony over Europe in order to achieve lasting security.
    France had always sought to impose a balance in central Europe that would prevent a major mobilisation of German forces against her, and she had achieved this by the Treaty of Westphalia back in 1648, in which she and Austria, jointly with a number of other powers, had put in place a whole series of checks and balances. This system had been undone in the second half of the eighteenth century by the rise of Prussian power and the emergence of Russia as a player in European affairs, manifested most critically in huge shifts of power in Germany, the partition and disappearance of Poland, and the race for control of the Balkans. In view of this, it was quite natural that Napoleon should seek to reassert French interests, and in doing so he was pursuing a traditional vision of a ‘French’ Europe as much as his own personal ambition. It was a vision that appeared to have history on its side.
    In the eighteenth century France had become the cynosure of Europe in terms of culture and political thought. Her paramountcy in these spheres was consolidated by the revolution, whose fundamental message and ideas were admired and accepted by élites all over the Continent. The French political and military classes saw themselves as ‘ la Grande Nation ’, the first nation in Europe to have emancipated itself, and considered themselves to be armed with a mission to carry the benefits of what they had achieved to other peoples. This was the age of neo-Classicism, and they began to see France as the next Rome, the fount from which this new ideological civilisation radiated, the capital of the modern world.
    Napoleon was not immune to the enthusiasms of his age. As befitted the most powerful individual since the days of the Caesars, he issued decrees ordering the cleaning of the Tiber and the Forum Romanum, and the preservation of its monuments. Shortly after the birth of the King of Rome, he set in motion plans for an imperial palace on the Capitol. But he also intended to build one for the Pope in Paris, arguing that this was where he should move, just as St Peter had moved to Rome from the Holy Land. 8
    As early as the mid-1790s, the French revolutionary armies began to bring home to Paris not only valuables and works of art, but also libraries, scientific instruments and entire archives. This epic bout of looting was not the product of mere greed. The idea was that everything most useful to the development of civilisation should be concentrated at the heart of the Empire, and not allowed to benefit only a few in outlying provinces. ‘The French Empire shall become the