wonât bleed, it wonât stretch to make room for you. Iâm the only one who loves you. Iâm all you have in this world, Mariam, and when Iâm gone youâll have nothing. Youâll have nothing. You are nothing!â
Then she tried guilt.
âIâll die if you go. The jinn will come, and Iâll have one of my fits. Youâll see, Iâll swallow my tongue and die. Donât leave me, Mariam jo. Please stay. Iâll die if you go.â
Mariam said nothing.
âYou know I love you, Mariam jo.â
Mariam said she was going for a walk.
She feared she might say hurtful things if she stayed: that she knew the jinn was a lie, that Jalil had told her that what Nana had was a disease with a name and that pills could make it better. She might have asked Nana why she refused to see Jalilâs doctors, as he had insisted she do, why she wouldnât take the pills heâd bought for her. If she could articulate it, she might have said to Nana that she was tired of being an instrument, of being lied to, laid claim to, used. That she was sick of Nana twisting the truths of their life and making her, Mariam, another of her grievances against the world.
Youâre afraid, Nana, she might have said. Youâre afraid that I might find the happiness you never had. And you donât want me to be happy. You donât want a good life for me. Youâre the one with the wretched heart.
 * * *Â
T HERE WAS A LOOKOUT, on the edge of the clearing, where Mariam liked to go. She sat there now, on dry, warm grass. Herat was visible from here, spread below her like a childâs board game: the Womenâs Garden to the north of the city, Char-suq Bazaar and the ruins of Alexander the Greatâs old citadel to the south. She could make out the minarets in the distance, like the dusty fingers of giants, and the streets that she imagined were milling with people, carts, mules. She saw swallows swooping and circling overhead. She was envious of these birds. They had been to Herat. They had flown over its mosques, its bazaars. Maybe they had landed on the walls of Jalilâs home, on the front steps of his cinema.
She picked up ten pebbles and arranged them vertically, in three columns. This was a game that she played privately from time to time when Nana wasnât looking. She put four pebbles in the first column, for Khadijaâs children, three for Afsoonâs, and three in the third column for Nargisâs children. Then she added a fourth column. A solitary, eleventh pebble.
 * * *Â
T HE NEXT MORNING, Mariam wore a cream-colored dress that fell to her knees, cotton trousers, and a green hijab over her hair. She agonized a bit over the hijab, its being green and not matching the dress, but it would have to doâmoths had eaten holes into her white one.
She checked the clock. It was an old hand-wound clock with black numbers on a mint green face, a present from Mullah Faizullah. It was nine oâclock. She wondered where Nana was. She thought about going outside and looking for her, but she dreaded the confrontation, the aggrieved looks. Nana would accuse her of betrayal. She would mock her for her mistaken ambitions.
Mariam sat down. She tried to make time pass by drawing an elephant in one stroke, the way Jalil had shown her, over and over. She became stiff from all the sitting but wouldnât lie down for fear that her dress would wrinkle.
When the hands finally showed eleven-thirty, Mariam pocketed the eleven pebbles and went outside. On her way to the stream, she saw Nana sitting on a chair, in the shade, beneath the domed roof of a weeping willow. Mariam couldnât tell whether Nana saw her or not.
At the stream, Mariam waited by the spot they had agreed on the day before. In the sky, a few gray, cauliflower-shaped clouds drifted by. Jalil had taught her that gray clouds got their color by being so dense that their top parts absorbed
Janwillem van de Wetering