appropriate than canât . âBut as an artist, I will say this. Just work, Joanne. Just keep on writing, or in my case painting, and something will come.â
âIâll try. But everyday life leaves little time.â
Alice laughed. âNot an excuse. Yet I take your point. We women are always putting off our dreams.â
In the farmyard, with the sun gone, the wind bit.
âThatâs my thinking corner.â Alice gestured to a south-facing spot against the wall of the outbuilding where a bench, a table, and a dilapidated deck chair sheltered in a thicket of fading chrysanthemums and climbing rose. âNext year Iâll build a conservatory where I can work. Or sit for whiles doing nothing.â
âBusy doing nothing, working the whole day through,â Joanne half-sang. Then stopped and blushed. â Snow White and the Seven Dwarfs .â
Alice looked blank.
Then Joanne remembered that only mothers had to sit through three showings of the same film. âIâm not sure I ever have time to do nothing,â Joanne confessed. âIâd like to. Though if I did, Iâd end up feeling I should be getting on with something, anything.â Joanne knew she was blethering again but couldnât stop.
âAh, yes, that Scottish Presbyterian guilt complex. Know it well.â Alice held out her hand. âItâs been a pleasure to meet you, Joanne. Sorry I canât help you find your witch. Though Iâm certain youâll find your story.â Aliceâs hands, rough gardenerâs hands, were warm. As was her smile. âJust listen to the wind, is my advice.â
At the top of the track, watching Joanne walk on the center ridge out of the muddy ruts, Alice called out, âYour dog, where is he? She?â
âMy dog?â Joanne turned back. âI donât have a dog.â
âThe one on the rug in front of the Aga?â
âI thought he was yours.â Joanne looked around at the empty hills, the distant mountain to the west, the glint of water to the far east, and saw no sign of habitation. âHe came up the glen with me, and I assumed . . .â Now the light was fading. âSorry, I canât help you. I have a long drive.â
âYes, yes, leave him with me.â Alice waved her away.
Back in the kitchen, the dog looked up at her, cocking one ear. Yes? You wanted me? Receiving no reply, only a long silent stare, he harrumphed softly and went back to sleep.
âOne night.â Alice spoke firmly. She knew how to handle dogs. âOne night, then you go back wherever it is you belong.â
C HAPTER 3
A t first Alice had found the gossip amusing, the overheard snatches of conversations, the furtive muttering in the butcherâs, the bakerâs, the five-bar-gate makerâs, abruptly halting as her presence became known. Sheâd later laughed about it and shared the stories with the hens.
Alice doesnât worry when the local policeman came plodding up the track, holding on to his hat with one hand. He is not a threat, perhaps visiting to warn her of dogs on the loose worrying the sheep. Plainclothes policemen of mysterious variety are threatening; they are the ones she fears.
âMiss Ramsay. Constable Harris.â
âCome in. Iâll put the kettle on.â
He is too much of a Highlander to refuse.
As he sips the tea, he looks around. Frankly, openly, he stares. The kitchen, with slate floors and whitewashed walls and cooking rangeâan Aga, he notesâis similar to most farm kitchens yet like nothing heâs ever known. The bright cushions, curtains, rugs he takes no notice of. The flowers and leaves hanging from the pulley, the fresh tree branches standing in a zinc bucket in a corner, he notices and doesnât understand. However, the paintings and, most of all, the small and larger skulls used as ornaments, and in the case of a broken fox skull, a pen holder, fascinate