habit of the Rostovs. âOn the contrary, Konstantin, I have something that I think will be of interest to you.â Then, as if from thin air, the Count produced one of the coins from the Grand Dukeâs desk, balancing it upright on the tip of a finger and thumb.
The old Greek studied the coin for a second and then, in a sign of appreciation, slowly exhaled. For while Konstantin Konstantinovich was a lender by trade, his
art
was to see an item for a minute, to hold it for a moment, and to know its true worth.
âMay I . . . ?â he asked.
âBy all means.â
He took the coin, turned it once, and handed it back with reverence. For not only was the piece pure in the metallurgical sense, the winking double eagle on the reverse confirmed to the experienced eye that it was one of the five thousand coins minted in commemoration of Catherine the Greatâs coronation. Such a piece purchased from a gentleman in need could be sold at a reasonable profit to the most cautious of banking houses in the best of times. But in a period of upheaval? Even as the demand for common luxuries collapsed, the value of a treasure like this would be on the rise.
âExcuse my curiosity, Your Excellency, but is that a . . . lonely piece?â
âLonely? Oh, no,â replied the Count with a shake of the head. âIt lives like a soldier in a barracks. Like a slave in a galley. Not a moment to itself, Iâm afraid.â
The old Greek exhaled again.
âWell then . . .â
And in a matter of minutes the two men had struck an arrangement without a hem or haw. What is more, the old Greek said it would be his pleasure to personally deliver three notes, which the Count penned on the spot. Then they shook hands like familiars and agreed to see each other three months hence.
But just as the old Greek was about to step through the door, he paused.
âYour Excellency . . . May I ask a personal question?â
âBy all means.â
He gestured almost shyly to the Grand Dukeâs desk.
âCan we expect more verses from you?â
The Count offered an appreciative smile.
âI am sorry to say, Konstantin, that my days of poetry are behind me.â
âIf your days of poetry are behind you, Count Rostov, then it is we who are sorry.â
Tucked discreetly into the northeast corner of the hotelâs second floor was the Boyarskyâthe finest restaurant in Moscow, if not in all of Russia. With vaulted ceilings and dark red walls reminiscent of a boyarâs retreat, the Boyarsky boasted the cityâs most elegant décor, its most sophisticated waitstaff, and its most subtle chef de cuisine.
So renowned was the experience of dining at the Boyarsky that on any given night one might have to elbow oneâs way through a crowd of hopefuls just to catch the eye of Andrey, as he presided over the large black book in which the names of the fortunate were set down; and when beckoned ahead by the maître dâ, one could expect to be stopped five times in four languages on the way to oneâs table in the corner, where one would be served flawlessly by a waiter in a white dinner jacket.
That is, one could expect this until 1920 when, having already sealed the borders, the Bolsheviks decided to prohibit the use of rubles in fine restaurantsâeffectively closing them to 99 percent of the population. So tonight, as the Count began to eat his entrée, water glasses clinked against cutlery, couples whispered awkwardly, and even the best of waiters found himself staring at the ceiling.
But every period has its virtues, even a time of turmoil. . . .
When Emile Zhukovsky was lured to the Metropol as chef de cuisine in 1912, he was given command of a seasoned staff and a sizable kitchen. In addition, he had the most celebrated larder east of Vienna. On his spice shelves was a compendium of the worldâs predilections and in his cooler