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Stephen - Prose & Criticism
bowl jabbed deep into his knee. He hardly noticed, although he would limp on that leg for the rest of his life. He seized her arm and squeezed. The terrible bloodgush from her wrist slowed but didn’t stop. He tore his belt free of its loops and noosed it around her lower forearm. That did the job, but he couldn’t notch the belt tight; the loop was far beyond the buckle.
“Christ,” he told the empty kitchen. “Christ.”
It was darker than it had been, he realized. The power had gone out. He could hear the computer in the study chiming its distress call. LCD Soundsystem was okay, because the little boombox on the counter was battery-powered. Not that Jack cared any longer; he’d lost his taste for techno.
So much blood. So much.
Questions about how she’d lost her hand left his mind. He had more immediate concerns. He couldn’t let go of the belt-tourniquet to get to the phone; she’d start to bleed again, and she might already be close to bleeding out. She would have to go with him. He tried pulling her by her shirt, but first it yanked out of her pants and then the collar started to choke her—he heard her breathing turn harsh. So he wrapped a hand in her long brown hair and hauled her to the phone caveman style.
It was a cell, and it worked. He dialed 911 and 911 was busy.
“It can’t be!” he shouted to the empty kitchen where the lights were now out (although from the boombox, the band played on). “911 cannot be fucking
busy
!”
He punched redial.
Busy.
He sat in the kitchen with his back propped up against the counter, holding the tourniquet as tightly as he could, staring at the blood and the batter on the floor, periodically hitting redial on the phone, always getting the same stupid
dah-dah-dah.
Something blew up not too far distant, but he barely heard it over the music, which was really cranked (and he never heard the Seneca explosion at all). He wanted to turn the music off, but in order to reach the boombox he would have to lift Myra. Lift her or let go of the belt for two or three seconds. He didn’t want to do either one. So he sat there and “North American Scum” gave way to “Someone Great” and “Someone Great” gave way to “All My Friends,” and after a few more songs, finally the CD, which was called
Sound of Silver,
ended. When it did, when there was silence except for police sirens in the distance and the endlessly chiming computer closer by, Jack realized that his wife was no longer breathing.
But I was going to make lunch,
he thought.
A nice lunch, one you wouldn’t be ashamed of inviting Martha Stewart to.
Sitting against the counter, still holding the belt (opening his fingers again would prove exquisitely painful), the lower right leg of his own pants darkening with blood from his lacerated knee, Jack Evans cradled his wife’s head against his chest and began to weep.
4
Not too far away, on an abandoned woods road not even old Clay Brassey would have remembered, a deer was foraging tender shoots at the edge of Prestile Marsh. Her neck happened to be stretched across the Motton town line, and when the Dome dropped, her head tumbled off. It was severed so neatly that the deed might have been done with a guillotine blade.
5
We have toured the sock-shape that is Chester’s Mill and arrived back at Route 119. And, thanks to the magic of narration, not an instant has passed since the sixtyish fellow from the Toyota slammed face-first into something invisible but very hard and broke his nose. He’s sitting up and staring at Dale Barbara in utter bewilderment. A seagull, probably on its daily commute from the tasty buffet at the Motton town dump to the only slightly less tasty one at the Chester’s Mill landfill, drops like a stone and thumps down not three feet from the sixtyish fellow’s Sea Dogs baseball cap, which he picks up, brushes off, and puts back on.
Both men look up at where the bird came from and see one more incomprehensible thing in a day