any I could have invented for my unending novel; and all the surviving participants had been suitably moved, including Schmidt, who had insisted on helping erect a suitable monument to the fallen hero. Schmidt was determined to regard John as a kind of Robin Hood, which couldnât have been farther from the truth. John did confine his depredations to the rich, but that was only because poor people didnât have anything worth stealing, and the only charity to which he contributed was himself. Of course John had never happened to robSchmidtâs museum. And Schmidt is a hopeless sentimentalist.
Schmidt is not, however, a fool. He had enjoyed wallowing in sloppy tears over the heroic dead; but once the glow wore off, he had probably reached the same conclusion I had reachedânamely and to wit, that the memorial might be a trifle premature. The event had given John a heaven-sent opportunity to avoid a number of people whose greatest ambition in life was to nail him to a wall by his elegant ears. The man he had killed was the head of a gang of thieves who would probably resent the death of their leader and the loss of their jobs, particularly since John had been trying to steal the loot from them all along. John was also an object of passionate interest to the police of several countries. His presumed death would wipe the slate clean and give him a chance to start over.
At first I didnât doubt he was still alive. For weeks I expected to hear from himâone of those absurd communications in which his quirky, devious mind delighted. Once he had sent me a forgery of a famous historic jewel. Another time, it had been a single red roseâanother fake, a silk copy of a real flower. But six months had gone by without a word from himâ¦.
Is it any wonder I thought of John when I received an anonymous photograph of what appeared to be an excellent imitation of a museum treasure? Cryptic messages, copies, and forgeries were the trademarks of Sir John B. Smythe. Was this the message for which I had been waiting? Waiting was all I could do. I did not know how to get in touch with John; I never had known. Of course, if I was mistaken about his survival, a spiritualist medium was probably my best bet.
Yet this particular communication had sinister overtones that were not characteristic of John. His frivolous attitude toward life in general and his dubious profession in particular had gotten him into a heap of trouble. As he had once sadly remarked, some of his colleagues had no sense of humor. They kept misinterpreting his little jokes (at their expense) and wanting to beat him up.
The grisly bloodstain on the envelope wasnât Johnâs style. Unless the joke had backfired. Unless the blood was his.
The shiny white cardboard reflected the lamplight, enclosing the black profile in a soft golden halo. The inappropriateness of that image brought a sour smile to my lips. The smile turned to a grimace as I remembered what I had done that afternoon.
It had seemed like a good idea at the time. In retrospect it struck me as the most idiotic move I had ever madeâand I speak as one whose career has not been unblemished by foolish actions.
I had put personal ads in the major newspapers of the world. All of them. Figaro, Die Welt, La Prensa, Neue Zurcher Zeitung, II Corriere della Sera, ABC , the New York and London Times â¦.
Even now I hate to admit I did it. However, a lot of underworld characters use the personals as a means of communication, and I knew John sometimes read them for the sake of amusement. I felt certain the message would capture his attention. It read: âRudolph. Not roses, Helenâs jewels. Michael and Rupert no problem. Contact soonest. Flavia.â
It had seemed like a good idea at the time. Few people would understand that string of absurdities, but I knew John would; the single red rose he had sent me came from the same corny old novel. The reference to Michael and Rupert