trouble.â
âHe did.â
Gary raises one eyebrow.
âAnders, the broke former Eagle Scout who has never had so much as a parking ticket. Mostly because heâs never owned a car, but still.â
âBroke, huh?â
âTotally. Seeming like less of a catch now?â
âLots of nice stuff here.â
âI didnât say I was broke.â
I take another look around. His gear is actually better than Iâd thought. The recliners are real leather, and on closer inspection, so is the sofa. The floor looks to be some kind of hardwood under the raggedy throw rugs, and the climate control is first rate.
âSo what did you say you do for a living?â
He shrugs.
âYou know. Stuff. Data entry and whatnot.â
âRight. And you let Anders live here because . . .â
âHe pays rent. Most of the time, anyway. And sometimes he helps out with . . . stuff.â
âData entry and whatnot.â
âRight.â
Another long silence follows. Finally, Gary says âHouse. Vids. General. SpaceLab .â
The wallscreen comes alive. Iâve never heard of SpaceLab , but apparently itâs an animation that takes place on an orbital platform. The characters all seem to be either drunk or mentally defective, which right from the jump doesnât make a ton of sense. Iâve met a few actual orbital jocks, and you really couldnât imagine a more sober and un-Âdefective bunch.
Gary starts snickering about thirty seconds in, so I guess itâs supposed to be a comedy, but Iâm having a hard time figuring out the joke. On top of that, the animation is terrible. The charactersâ faces have a rubbery look to them thatâs just off enough to make you realize theyâre not real Âpeople, which in a weird way is more disturbing than if they were completely stylized. I tolerate about five minutes, then close my eyes and say âIs this really the best we can do?â
âPause,â he says. He looks profoundly hurt. âDonât tell me youâre not a fan of SpaceLab ?â
I turn to look at him.
âIâve never seen this before, but based on the last five minutes, yeah, I think I can say with some confidence that I am not a fan of SpaceLab .â
âHow can you not appreciate SpaceLab ?â He leans forward and chops the air with one hand. â SpaceLab is classic social satire. It reflects modern society back to us through a funhouse mirror, and forces us to confront the absurdities in our everyday lives.â
I shake my head.
âFirst, Iâm pretty sure you just repeated back something that you read on somebodyâs vid-Âcritic feed. Second, I just watched the science officer of a space station get into a feces-Âflinging fight with his captain, whose brain had apparently been switched with a chimpanzeeâs. Which parts of my everyday life is this reflecting back at me?â
âWell . . . itâs not meant to be taken literally. Itâs a metaphor.â
âA metaphor?â
âOr a simile. Maybe itâs a simile? Which one has âlikeâ in it?â
âThatâs a simile.â
âThen itâs definitely a metaphor.â
âYou donât look like an idiot,â I say after a long pause, âbut you are one, arenât you?â
He slumps, and his voice drops an octave.
âYes.â
I sigh and run my fingers back through my hair.
âFine. Satirize the crap out of me. Play.â
âGary?â says the House.
He perks up immediately.
âYeah, play.â
So I sit through the last seven minutes of the episode. It does not get noticeably better. We learn that the captain switched bodies with the chimp in order to negotiate with a band of space-Âfaring monkeys who were threatening to destroy the station. He eventually returns from his mission and restores order by swapping back into his own body and placing