a
peaked fi eld of snow over Kestrel’s tucked- in knees, she re-
membered her Herrani nurse saying, “This is the year of
stars.”
Kestrel had been little. Enai was tending to her skinned
knee. Kestrel hadn’t been a clumsy girl, but she had always
tried too hard, with predictable bruised and bloodied results.
“Be careful,” Enai had said, wrapping the gauze. “This is
the year of stars.”
It had seemed such a curious thing to say. Kestrel had
asked for an explanation. “You Valorians mark the years
by numbers,” Enai had said, “but we mark them by our
gods. We cycle through the pantheon, one god of the
hundred for each year. The god of stars rules this year, so
you must mind your feet and gaze. This god loves acci-
dents. Beauty, too. Sometimes when the god is vexed or
simply bored, she decides that the most beautiful thing is
disaster.”
Kestrel should have found this silly. Valorians had no
gods. There was no afterlife, or any of the other Herrani
superstitions. If the Valorians worshipped anything, it
was glory. Kestrel’s father laughed at the idea of fate. He
—-1
was the imperial general; if he had believed in fate, he
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said, he would have sat in his tent and waited for the
SKI
O
country of Herran to be handed to him in a pretty crys-
tal cup. Instead he’d seized it. His victories, he said, were
his own.
But as a child, Kestrel had been charmed by the idea
MARIE RUTK
of gods. They made for good stories. She had asked Enai
to teach her the names of the hundred and what they
ruled. One eve ning at dinner, when her father cracked a
fragile dish under his knife, she’d said jokingly, “Careful,
Father. This is the year of stars.” He had gone still. Kestrel
became frightened. Maybe the gods were real after all.
This moment was a disaster. She saw disaster in her father’s
furious eyes. She saw it on Enai’s arm the next day, in the
form of a bruise: a purple, broad bracelet made by a large
hand.
Kestrel stopped asking about the gods. She forgot them.
Probably there was a god of money. Perhaps this was the
year. She wasn’t sure. She didn’t understand what the phrase
had meant to Thrynne.
Tell him, Thrynne had said. He needs to know . The
captain had assumed that Thrynne had meant himself.
Maybe that was it. But Kestrel recalled the prisoner’s gray
eyes and how he’d appeared to know her. Of course, he
was a servant in the palace. Servants knew who she was
without her knowing all their names or faces. But he was
Herrani.
Say that he was new to the palace. Say that he recog-
nized her from her life in Herran, when everything had
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been a series of dinners and dances and teas, when her
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greatest worry was how to navigate her father’s desire for
her to join the military, and his hatred of her music.
CRIME
Or maybe Thrynne recognized her from when every-
’S
thing had changed. After the Firstwinter Rebellion. When
the Herrani had seized the capital and Arin had claimed
her for his own.
THE WINNER
He needs to know, Thrynne had said.
Slowly, as if moving tiny parts of a dangerous machine,
Kestrel substituted one word with a name.
Arin needs to know .
But know what?
Kestrel had questions of her own for Thrynne. She would
seek a way to help him, and to understand what he had
said— but this meant seeing Thrynne alone . . . and that
required the permission of the emperor.
“I’m ashamed of myself,” she told the emperor the next
morning. They were in his private trea sury. His note ac-
cepting her request to see him, and naming this room for
the meeting, seemed to have been made with good grace.
But he was silent now, inspecting a drawer pulled out of
a wall honeycombed from fl oor to ceiling with them. He
Carmen Caine, Madison Adler