performances, as well as physical, physiological, or physiognomical peculiarities -all these facts (as we shall maintain) can suggest possible avenues never exhaustively explored by any previous student of criminal behaviour in nineteen-century Britain.'
'Christ!' muttered Morse (for the second time that evening). A few years ago he might possibly have considered persevering with such incomprehensible twaddle. But no longer. Stopping momentarily only to marvel at the idiocy of the publisher who had allowed such pompous polysyllaby ever to reach the compositor in the first place, he closed the stout work smartly – and resolved to open it never again.
As it happened, he was to break this instant resolution very shortly; but for the moment there was a rather more attractive proposition awaiting him in his locker: the pornographic paperback which Lewis (praise the Lord!) had smuggled in.
A yellow flash across the glossy cover made its promise to the reader of Scorching Lust and Primitive Sensuality – this claim supported by the picture of a superbly buxom beauty sunning herself on some golden-sanded South-sea island, completely naked except for a string of native beads around her neck. Morse opened the book and skimmed (though a little more slowly than before) a second paragraph that evening. And he was immediately aware of a no-nonsense, clear-cut English style that was going to take the palm every time from the sprawling, spawning, sociological nonsense he had just encountered:
'She surfaced from the pool and began to unbutton her clinging, sodden blouse. And as she did so, the young men all fell silent, urging her – praying her! – in some unheard but deafening chorus, to strip herself quickly and completely – their eyes now riveted to the carmined tips of her slimly sinuous fingers as they slipped inside her blouse, and so slowly, so tantalizingly, flicked open a further button…"
'Christ!!' It was the third time that Morse had used the same word that evening, and the one that took the prize for blasphemous vehemence. He leaned back against his pillows with a satisfied smile about his lips, clasping to himself the prospect of a couple of hours of delicious titillation on the morrow. He could bend those covers back easily enough; and it would be no great difficulty temporarily to assume the facial expression of a theological student reading some verses from the Minor Prophets. But whatever happened, the chances that Chief Inspector Morse would ever be fully informed about crime and its punishment in nineteenth-century Shropshire had sunk to zero.
For the moment, at any rate.
He replaced The Blue Ticket in his locker, on top Scales of Injustice – both books now lying on top of the hitherto neglected Murder on the Oxford Canal, that slim volume printed privately under the auspices of The Oxford and County Local History Society.
As Morse nodded off once more, his brain was debating whether there was just the one word misspelled in the briefparagraph he had just read. He would look it up in Chambers when he got home. Lewis hadn't seemed to know, either…
Chapter Six
I enjoy convalescence. It is the part that makes the illness worth while
(G. B. Shaw, Back to Methuselah)
At 2 a.m. the inevitable occurred; but fortunately Morse managed to attract the quick attention of the nurse as she'd flitted like some Nightingale around the darkened wards. The noise of the curtains being drawn around his bed sounded to Morse loud enough to rouse the semi-dead. Yet none of his fellow-patients seemed to stir, and she – the blessed girl! – had been quite marvellous.
'I don't even know which way up the thing should go,' confided Morse.
'Which way round, you mean!' Eileen (such was her name) had whispered, as she proceeded without the slightest embarrassment to explain exactly how the well-trained patient would negotiate this particular crisis. Then, leaving him with half a roll of white toilet-paper,