see her tomb, an elaborate mountain of granite topped by an angel. A few days after it was in place, Mendez had his accident.â
âI still donât believe it,â said Dalakis, âand even if the storyâs true, what makes you think the girl in the picture is Jorge Mendezâs daughter? Did you ever see her?â
âJust once. She was with her father at the opera. But of course sheâs also been described to meâthose eyes, those high cheekbones, one wouldnât forget them easily. Yes, thatâs the girl all right: Cecilia Mendez.â
Dalakis seemed torn between refuting Malgiolio and telling some story of his own which might betray a confidence. He took a sip of Scotch, then walked to the mantel and reached out for the picture. His hands were so big that I was afraid he might accidentally break the glass. As he looked at the picture, his anger disappeared and he began to look sad. He was easily eight inches taller than Malgiolio and standing together they appeared to be preparing a comic turn. It is odd the relationship you have with people youâve known since childhoodânot love, not hate. Itâs more like they are of your own skin. Looking at Malgiolio and Dalakis, while musing on their comic potential, was like looking at myself.
âYou see,â said Dalakis after some moments, âI recognize the girl and her name isnât Cecilia Mendez and Pacheco never made love to her. Thatâs his daughter, his illegitimate daughter, and the reason I know is because she was a close friend of my own daughter. Her name is Sarah something, I canât remember her last name. Sheâs in school in Paris now.â
âAnd I suppose you knew her personally,â said Malgiolio, his voice skirting the edge of mockery. Despite the mistakes in his life, he was not a man who felt much doubt.
âShe came to my house a few times several years ago. Pacheco had just brought her up from the south and enrolled her in the university. My daughter, you know, is an art teacher in a high school. This woman, Sarah, was also an art student, and she and my daughter were in three or four classes together.â
Malgiolio raised his eyebrows and glanced at me as if seeking my agreement that Dalakis was mistaken. To tell the truth, I felt a little skeptical. I had my own idea who the woman was. âYou mean he put her through the university?â I asked. âDid she live in this house as well?â
Dalakis stood facing us with his back to the mantel. âNo, she lived in the womenâs dormitory. Actually, only a few people knew she was Pachecoâs daughter. Itâs quite an odd story. He didnât even know the girl existed until about seven years ago. Her mother was the wife of another doctor in the south, the doctor who took Pacheco into partnership after he finished his residency. He was an older man with a young wife. Well, you know Pachecoâs reputation with women. They had a brief affair. But when the child was born she swore it was her husbandâs.
âAnyway, they broke off and their lives drifted apart. Pacheco started his own practice. The old doctor and his wife were later divorced. She taught school for a while, then opened a tea shop. The old doctor saw the girl regularly. Then, about eight years ago, he died. The woman expected heâd leave the girl something in his will. She was seventeen and it was probably around then that the picture was taken. Well, the old doctor didnât leave her a cent. Perhaps he knew the girl wasnât his. The mother had little money but she wanted the girl to go to the university. She was a very talented artist and it seemed a pity for her to spend her life in some small town.
âThe upshot was that the woman contacted Pacheco and confessed that the girl was his daughter after all. Many men wouldnât have believed her, but Pacheco believed her and, whatâs more, he offered to support the