lies!â shouted Colin. âIâm already in trouble with London District for querying the line on post-war reconstruction.â
Alan leaned forward, genuinely interested. âYouâve never said anything about that.â
Colin wouldnât look at them. He pushed his hair back, staring downwards, possibly at his own feet. âThatâs not relevant. It doesnât matter.â I knew he already regretted letting it slip out.
âYouâre in trouble with the Party?â Alan, of course, wouldnât let it go. âWhy didnât you tell us?â
Colinâs twisted smile was closer to a grimace. âYou think friendshipâs all-important, donât you. But for me, you seeââ
âNo one wants you to say anything you donât want to,â soothed Hugh. âAnd the Party doesnât even come into it.â
âThe Party comes into everything.â
An awkward silence. Then Hugh tried again. âIâm sure thereâs a way round this.â
âA way round what ?â muttered Colin.
âLook,â said Alan, âI know it wonât be easy. Youâre right â Radu wants melodrama and a vehicle for Gwendolen Grey. Itâs not just you that wants something better than that. We do too. But we can get there with Radu. Itâll be in the way we write it â get the right kind of hero into the plotââ
âHe doesnât want a hero. He just wants her .â
âBut Gwendolen will want a strong leading man. Sheâll be that much stronger with someone to match her.â
âFor Godâs sake,â muttered Colin, âwe donât want a lot of romantic tosh â love scenes, sex, thatâs just bourgeois decadence.â
Alan and Hugh both shouted their derision, and I was puzzled. Why was Colin so down on passion? He must be unhappy in love. There was another angry silence.
âDâyou want more toast?â I enquired brightly, to cover up the sticky silence. They ignored me.
After a while Hugh said cautiously: âI know you think I shouldnât have been talking to Enescu off my own bat, but it really will be worth it. Working with him weâll get known â and then we wonât need him any more. Besides which, heâs in with Stanley Colman and Colmanâs the man with the money.â
This further enraged Colin. âStanley Colman! Why the hell do we want to have anything to do with him?â
Hugh smiled: âHeâs got money, hasnât he? Heâs just someone who got lucky in the war. I quite liked him.â
âBlack marketeer more likely. For heavenâs sake, what are we doing with these people?â
âWeâre trying to get money for our film. We canât be too choosy,â said Alan. âAnd youâre the one who says the end justifies the means.â
That shut Colin up. He sat there sulking. I spread the toast thinly with marge. âHe wonât give you any money, anyway,â I said, âheâll give it to Gwendolen Grey.â
The three men stared at me.
âHeâs in love with her, didnât you notice?â
âOh, darling!â said Alan with an indulgent smile. They thought love had nothing to do with it. They were so wrong! Love â or sex â had everything to do with what happened later ⦠or some twisted version of love.
âGiving it to Gwendolen Grey will be giving to us â if we get in there,â said Hugh. âEnescu is a real original â heâs taken something from the German expressionist films of the twenties and put a new slant on it â it can be used for social criticism, it heightens everything, it makes it all less drab. And heâs had this wonderful idea of giving his next film a really artistic dimension.â He paused and looked sideways, enquiringly, at Alan, but Alan gave a shake of the head so minimal I donât think Colin noticed