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was now completely out of her reach, so that she could not rescue herself even had she wished. This was an obvious reconstruction on the two facts that Miss Carruthers had found the door shut when she arrived, and an overturned chair on the floor at least six feet away.
    “Good God!” said Roger, shocked at this evidence of such cold-blooded determination on the part of the unfortunate girl to deprive herself of life. But he realised at once that this version did not square with his theory of panic-stricken impulse. Panic-stricken people do not waste time adjusting things to such a nicety, screwing in hooks at just the right height and leaving every trace of thoughtful deliberation; they simply throw themselves, as hurriedly as possible, out of the nearest window.
    “Didn’t the police think all this very odd?” he queried thoughtfully.
    “No-o, I don’t think they did. They seemed to take it all for granted. And after all, as Uny did kill herself, it doesn’t matter much how, does it?”
    Roger was forced to agree that it didn’t. But when he took his leave a few minutes later, to write that letter to Dorsetshire which must now put things beyond all hope, he was more than ever convinced that there was very, very much more in all this than had so far met the eye. And he was more than ever determined to find out just exactly what it might be.
    The thought of that happy, laughing kid of the snapshot being driven into panic-stricken suicide had inexpressibly shocked him before. The thought of her now, driven into a deadly slow suicide, prepared with such tragic method and care, was infinitely more horrible. Somebody, Roger was sure, had driven that poor child into killing herself; and that somebody, he was equally sure, was going to be made to pay for it.

CHAPTER IV

TWO DEATHS AND A JOURNEY
    N EVERTHELESS , during the next few days the case against the unknown made little progress. Roger received a reply to his letter from Dorsetshire which served to inflame his anxiety to get to the bottom of the affair, but his efforts in that direction seemed to be beating upon an impassable barrier. Try as he might, he could not connect Unity Ransome with any man.
    He tried the theatre. Of any girl who had been at all friendly with her be asked long strings of questions, the eager Miss Carruthers constantly at his elbow. Under her protecting wing he interviewed stage-doorkeepers, stage-managers, managers, producers, stars, their male equivalents, and everybody else he could think of, till he had acquired enough theatrical copy to last him the rest of his life. But all to no purpose. Nobody could remember having seen Unity Ransome with the same man more than once or twice; to nobody had she ever mentioned the name of a male acquaintance in anything but a joking way.
    He cast his net further afield. Armed with half-a-dozen pictures of Janet, enlarged from the groups outside the theatre, he sought out the restaurant-managers, waiters, teashop waitresses and hotel-keepers, whose various establishments Janet might have patronised. Here and there she was recognised, but it never went beyond that. Roger was discouraged.
    One fact, however, although it had no bearing on the subject of his search, did emerge during this busy week. Miss Carruthers having firmly appointed herself his theatrical guide and dramatic friend, Roger got into the habit of dropping in every other day or so at tea-time to report his lack of progress. The little creature with her preposterous name (she had confided by this time that her real one was Sally Briggs, “and what the hell,” she asked wistfully, “is the use of that to me?”) both amused and interested him. It was a perpetual joy to him to watch how even in her most real moments she could not help being consciously dramatic: with genuine tears for her friend’s fate streaming down her cheeks she would yet hold them up for the admiration of an invisible gallery. In fact, Roger reflected, watching her,