hand on my arm before I stepped out of the car.
âHere,â she said, digging into her purse. âI want to give you my phone number.â
âWhy?â
âSo you can call me, silly.â
âWhy?â
âBecause I like you.â
âYou like me like me or just like me?â
âI like you.â
My chest tightened and I got out of the car, then turned back and leaned close.
âListen, I get it. Youâve taken me on as a project. Poor, big, stupid Alfred Kropp. Well, I donât need your pretty . . . I mean pity . Find some other loser to feel sorry for.â
I turned away before she could say anything, jogging across the yard to the front door. I missed seeing the gnarled old oak root sticking up in front of the sidewalk, tripped, and sprawled flat on my face in the cool dirt. Could it get any worse? I had been waiting for a sign and, as I pushed my big slobbery bulk from the ground, I realized this was the sign I was waiting for.
It was time to leave.
7
Horace was standing in the entryway holding a gray suit on a hanger.
âWhatâs this?â I asked.
âYour suit, Alfred.â
âI donât own a suit.â
âYou do now. You need to try it on to see if it fits. Tomorrow afternoon is the hearing. And you gotta look nice for the judge, Al,â he said.
I brushed past him, went into the bathroom, and proceeded to floss. After a second there was a soft knock and Horace whispered from the other side.
âHey, Al, I think you forgot the suit. Iâll just hang it here on the knob. Weâre having fried chicken for dinner. Isnât that your favorite?â
I didnât answer and Horace went away.
I went into the bedroom and pulled my old duffel bag from the closet. It took about five minutes to pack because I didnât have much. The door opened and Kenny came in.
âWhat are you doing, Alfred Kropp?â
âPacking,â I said.
âYouâre leaving!â
I looked up at him. He started to cry.
âDonât do that, Kenny. I donât want Horace and Betty to know.â
âWhere are you going?â
âI donât know. Iâll figure it out.â
âTake me with you.â
âI canât.â
âWhy?â
âI just canât, okay? Look, itâs going to be all right. I canât live here, Kenny. Horace is plotting to adopt me and take all my money and I canât let that happen.â
He climbed onto the top bunk and refused to come down for dinner, but I ate to keep up appearances, plus I didnât know where my next meal was coming from. I planned to slip out the window as soon as Horace and Betty went to bed.
Around eleven I heard the Tuttles go to their room.
âAlfred Kropp is leaving me to die,â Kenny muttered in the top bunk.
I sighed. âLook, when I get to wherever Iâm going, Iâll call you to make sure everythingâs okay. And if itâs not okay Iâll come back and rescue you. Howâs that?â
âYouâll rescue me? You promise?â
âI promise.â
I guess that satisfied him, because he quieted down. It was time to go, but I didnât move. What was I waiting for? I had thought Ashleyâs pity was the sign I needed, but now leaving was the last thing I wanted to do.
Looking back now, I wonder what would have happened if I had gotten off my big butt and left that moment. If I had snuck out ten or even five minutes earlier would the horrors I was about to unleash on the world have been averted?
Iâll never know, because I didnât leave that moment. I was waiting for Kennyâs breathing to even out. It must have been close to midnight when he yelled, âWhatâs that? I heard something, Alfred Kropp, outside the window.â
âI didnât hear anything.â
âI heard it. Iââ He stopped himself, then hissed: âThereâs someone outside our
Tarah Scott, Evan Trevane