proscenium. They were impressively equipped, with a faded length of striped canvas strung between poles to keep chill breezes off, and folding chairs and a little folding table, and a straw hamper as big as a small suitcase containing bottles and vacuum flasks and tins of sandwiches and biscuits; they even had real tea cups, with saucers. This was a part of the beach that was tacitly reserved for residents of the Golf Hotel, the lawn of which ended just behind the dunes, and indignant stares were being directed at these heedlessly interloping villa people with their smart beach furniture and their bottles of wine, stares which the Graces if they noticed them ignored. Mr. Grace, Carlo Grace, Daddy, was wearing shorts again, and a candy-striped blazer over a chest that was bare save for two big tufts of tight curls in the shape of a miniature pair of widespread fuzzy wings. I had never before encountered nor, I think, have I encountered since, anyone so fascinatingly hairy. On his head was clamped a canvas hat like a child's upturned sand bucket. He was sitting on one of the folding chairs, holding a newspaper open before him and at the same time managing to smoke a cigarette, despite the stiff wafts of wind coming in from the sea. The blond boy, the swinger on the gate—it was Myles, I may as well give him his name—was crouched at his father's feet, pouting moodily and delving in the sand with a jagged piece of sea-polished driftwood. Some way behind them, in the shelter of the dune wall, a girl, or young woman, was kneeling on the sand, wrapped in a big red towel, under the cover of which she was trying vexedly to wriggle herself free of what would turn out to be a wet bathing suit. She was markedly pale and soulful of expression, with a long, slender face and very . black, heavy hair. I noticed that she kept glancing, resentfully, as it seemed, at the back of Carlo Grace's head. I noticed too that the boy Myles was keeping sidelong watch, in the evident hope, which I shared, that the girl's protective towel would slip. She could hardly be his sister, then.
Mrs. Grace came up the beach. She had been in the sea and was wearing a black swimsuit, tight and darkly lustrous as sealskin, and over it a sort of wraparound skirt made of some diaphanous stuff, held at the waist with a single button and billowing open with each step she took to reveal her bare, tanned, rather thick but shapely legs. She stopped in front of her husband and pushed her white-rimmed sunglasses up into her hair and waited through the beat that he allowed to pass before he lowered the newspaper and looked up at her, lifting his hand that held the cigarette and shading his eyes against the salt-sharpened light. She said something and he put his head on one side and shrugged, and smiled, showing numerous small white even teeth. Behind him the girl, still under the towel, discarded her bathing suit that she had freed herself of at last and, turning her back, sat down on the sand with her legs flexed and made the towel into a tent around herself and rested her forehead on her knees, and Myles drove his stick into the sand with disappointed force.
So there they were, the Graces: Carlo Grace and his wife Constance, their son Myles, the girl or young woman who I was sure was not the girl I had heard laughing in the house that first day, with all their things around them, their folding chairs and tea cups and tumblers of white wine, and Connie Grace's revealing skirt and her husband's funny hat and newspaper and cigarette, and Myles's stick, and the girl's swimsuit, lying where she had tossed it, limply wadded and stuck along one wet edge with a fringe of sand, like something thrown up drowned out of the sea. I do not know for how long Chloe had been standing on the dune before she jumped. She may have been there all that time, watching me watching the others. She was first a silhouette, with the sun behind her making a shining helmet of her short-cropped hair.