Then she lifted her arms and with her knees pressed together launched herself off the dune wall. The air made the legs of her shorts balloon briefly. She was barefoot, and landed on her heels, sending up a shower of sand. The girl under the towel—Rose, give her a name too, poor Rosie—uttered a little shriek of fright. Chloe wobbled, her arms still lifted and her heels in the sand, and it seemed she would fall over or at least sit down hard, but instead she kept her balance, and smiled sideways spitefully at Rose who had sand in her eyes and was making a fish face and shaking her head and blinking. "Chlo-e!" Mrs. Grace said, a reproving wail, but Chloe ignored her and came forward and knelt in the sand beside her brother and tried to wrest the stick from him. I was lying on my stomach on a towel with my cheeks propped on my hands, pretending to read a book. Chloe knew I was looking at her and seemed not to care. What age were we, ten, eleven? Say
eleven, it will do. Her chest was as flat as Myles's, her hips were no wider than mine. She wore a white singlet over her shorts. Her sun-bleached hair was almost white. Myles, who had been battling to keep his stick, snatched it free of her grasp at last and hit her with it on the knuckles and she said "Owl" and struck him in the breastbone with a small, pointed fist.
"Listen to this advertisement," her father said to no one in particular, and read aloud, laughing, from the newspaper. "Live ferrets required as Venetian blind salesmen. Must be car drivers. Apply box twenty~three." He laughed again, and coughed, and, coughing, laughed. "Live ferrets!" he cried. "Oh, my."
How flat all sounds are at the seaside, flat and yet emphatic, like the sound of gunshots heard at a distance. It must be the muffling effect of so much sand. Although I cannot say when I have had occasion to hear a gun or guns being fired.
Mrs. Grace poured wine for herself, tasted it, grimaced, and sat down in a folding chair and crossed one firm leg on the other, her beach shoe dangling. Rose was getting dressed fum-blingly under her towel. Now it was Chloe's turn to draw her knees up to her chest—is it a thing all girls do, or did, at least, sitting that way in the shape of a zed fallen over on its front?— and hold her feet in her hands. Myles poked her in the side with his stick. "Daddy," she said with listless irritation, "tell him to stop." Her father went on reading. Connie Grace's dangling shoe was jiggling in time to some rhythm in her head. The sand around me with the sun strong on it gave off its mysterious, catty smell. Out on the bay a white sail shivered and flipped to leeward and for a second the world tilted. Someone away down the beach was calling to someone else. Children.
Bathers. A wire-haired ginger dog. The sail turned to windward again and I heard distinctly from across the water the ruffle and snap of the canvas. Then the breeze dropped and for a moment all went still. They played a game, Chloe and Myles and Mrs. Grace, the children lobbing a ball to each other over their mother's head and she running and leaping to try to catch it, mostly in vain. When she runs her skirt billows behind her and I cannot take my eyes off the tight black bulge at the upside-down apex of her lap. She jumps, grasping air and giving breathless cries and laughing. Her breasts bounce. The sight of her is almost alarming. A creature with so many mounds and scoops of flesh to carry should not cavort like this, she will damage something inside her, some tender arrangement of adipose tissue and pearly cartilage. Her husband has lowered his newspaper and is watching her too, combing his fingers through his beard under his chin and coldly smiling, his lips drawn back a little from those fine small teeth and his nostrils flared wolfishly as if he is trying to catch her scent. His look is one of arousal, amusement and faint contempt; he seems to want to see her fall down in the sand and hurt herself; I imagine