their
right, beyond the Notre-Dame pond. They saw a huntsman striding towards the bird he
had killed, towards which his dog was hurrying.
âItâs Gautier, the estate
manager,â said Maurice. âHe must have gone hunting â¦â
Then all of a sudden he had a fit of
annoyance, stamped his heel on the ground, pulled a face and nearly sobbed.
âPoor old thing!â he
muttered, his lips pursed. âItâs â¦Â itâs so wretched! â¦Â and that
little swine Jean who â¦â
As if by magic, they saw Jean pacing the
courtyard of the chateau, side by side with the doctor, who must have been engaged
in a heated discussion with him, since he was waving his thin arms around.
They occasionally caught the smell of
chrysanthemums in the wind.
3. The Altar Boy
There was no sun to distort the images,
and no greyness either to blur the outlines of things. Everything stood out with
sharp clarity: the trunks of the trees, the dead branches, the pebbles and
especially the black clothes of the people who had come to the cemetery. The whites,
on the other hand, gravestones or starched shirt-fronts, or the bonnets of the old
women, looked unreal and perfidious: whites too shockingly white.
Had it not been for the crisp breeze
cutting into peopleâs cheeks, it was almost as if they were under a slightly
dusty bell-jar.
âIâll see you in a
minute!â
Maigret left the Count of Saint-Fiacre
outside the cemetery gate. An old woman, sitting on a little bench that she had
brought with her, was trying to sell oranges and chocolate.
Oranges! Fat ones! Unripe! And candied â¦
They put your teeth on edge, they rasped your throat but, when he was ten years old,
Maigret had devoured them anyway, because they were oranges.
He had turned up the velvet collar of
his overcoat. He didnât look at anyone. He knew that he had to turn to the
left, and that the grave he was looking for was the third one past the cypress
tree.
All around, the cemetery was covered with
flowers. The previous day, some women had washed certain gravestones with a brush
and soap. The gates had been repainted.
HERE LIES ÃVARISTE MAIGRET â¦
âExcuse me! No
smoking.â
The inspector barely noticed that anyone
was talking to him. At last he stared at the bell-ringer, who was also the
grave-digger, and put his pipe, still lit, in his pocket.
He couldnât think about one thing
at a time. Memories came flooding in, memories of his father, a friend who had
drowned in the Notre-Dame pond, the child of the chateau in his beautiful pram â¦
People looked at him. He looked at them.
He had seen these faces before. But back then, that man holding a little boy in his
arms, for example, the one walking behind a pregnant woman, had been a little boy of
four or five.
Maigret had no flowers. The tombstone
was blackened. He came out grumpily and muttered to himself, making a whole group of
people turn round: âWe really need to find the missal!â
He didnât want to go back to the
chateau. There was something about it that disgusted, even infuriated him.
Certainly, he was under no illusion
about the men. But he was furious with them for sullying his childhood memories!
Especially the countess, whom he had always considered as noble and lovely as a
character in a picture-book â¦
And there she was, a batty old lady who
kept gigolos!
Not even that! There was nothing honest or
open about it! The famous Jean was just playing at being a secretary! He
wasnât handsome, he wasnât even all that young!
And the poor old woman, as her son had
said, was tormented, torn between the chateau and the church.
And the latest Count of Saint-Fiacre
risked arrest for presenting a dud cheque!
Someone was walking in front of Maigret
with his gun over his shoulder, and the inspector