boys have more energy than they know what to do with. Only Martha was tiring. Her thin legs were made for the playful scamper, not the long march, and she dropped behind constantly, so that the others had to stop and wait for her and the pig to catch up.
As he walked Tom thought about the cathedral he would build one day. He began, as always, by picturing an archway. It was very simple: two uprights supporting a semicircle. Then he imagined a second, just the same as the first. He pushed the two together, in his mind, to form one deep archway. Then he added another, and another, then a lot more, until he had a whole row of them, all stuck together, forming a tunnel. This was the essence of a building, for it had a roof to keep the rain off and two walls to hold up the roof. A church was just a tunnel, with refinements.
A tunnel was dark, so the first refinements were windows. If the wall was strong enough, it could have holes in it. The holes would be round at the top, with straight sides and a flat sill—the same shape as the original archway. Using similar shapes for arches and windows and doors was one of the things that made a building beautiful. Regularity was another, and Tom visualized twelve identical windows, evenly spaced, along each wall of the tunnel.
Tom tried to visualize the moldings over the windows, but his concentration kept slipping because he had the feeling that he was being watched. It was a foolish notion, he thought, if only because of course he was being observed by the birds, foxes, cats, squirrels, rats, mice, weasels, stoats and voles which thronged the forest.
They sat down by a stream at midday. They drank the pure water and ate cold bacon and crab apples which they picked up from the forest floor.
In the afternoon Martha was tired. At one point she was a hundred yards behind them. Standing waiting for her to catch up, Tom remembered Alfred at that age. He had been a beautiful, golden-haired boy, sturdy and bold. Fondness mingled with irritation in Tom as he watched Martha scolding the pig for being so slow. Then a figure stepped out of the undergrowth just ahead of her. What happened next was so quick that Tom could hardly believe it. The man who had appeared so suddenly on the road raised a club over his shoulder. A horrified shout rose in Tom’s throat, but before he could utter it the man swung the club at Martha. It struck her full on the side of the head, and Tom heard the sickening sound of the blow connecting. She fell to the ground like a dropped doll.
Tom found himself running back along the road toward them, his feet pounding the hard earth like the hooves of William’s war-horse, willing his legs to carry him faster. As he ran, he watched what was happening, and it was like looking at a picture painted high on a church wall, for he could see it but there was nothing he could do to change it. The attacker was undoubtedly an outlaw. He was a short, thickset man in a brown tunic, with bare feet. For an instant he looked straight at Tom, and Tom could see that the man’s face was hideously mutilated: his lips had been cut off, presumably as a punishment for a crime involving lying, and his mouth was now a repulsive permanent grin surrounded by twisted scar tissue. The horrid sight would have stopped Tom in his tracks, had it not been for the prone body of Martha lying on the ground.
The outlaw looked away from Tom and fixed his gaze on the pig. In a flash he bent down, picked it up, tucked the squirming animal under his arm and darted back into the tangled undergrowth, taking with him Tom’s family’s only valuable possession.
Then Tom was on his knees beside Martha. He put his broad hand on her tiny chest and felt her heartbeat, steady and strong, and his worst fear subsided; but her eyes were closed and there was bright red blood in her blond hair.
Agnes knelt beside him a moment later. She touched Martha’s chest, wrist and forehead, then she gave Tom a hard, level look.