train clattered over the level-crossing over the main road leading into town, and she stepped out into the corridor, stood before the door and, bending to the shadow cast by her hand, saw the local industrial warehouses and the clumsy water-tower looming above them. Ever since her childhood, such things—level-crossings on highways, long flat buildings steaming in unbearable heat—were the first assuring reminders that she had arrived home still in one piece, and although this time she had particular cause for relief, since they would bring to an end circumstances of no ordinary hardship, and could almost feel the wild drumming in her heart that used to start up whenever she returned from her infrequent visits to relatives, or from the county capital where, once or twice a year, she attended the performance of some favourite operetta together with some members of her dispersed family, when the friendly warmth of the town served as a natural bastion protecting her home, now, and indeed for the last two or three months, but particularly now, after the shameful revelation that the world was full of people with unshaven faces and broadcloth overcoats, nothing of that sense of intimacy remained but a cold maze of empty streets where not only the faces behind the windows but the windows themselves stared blindly out at her and the silence was ‘broken only by the sharp yelp of bickering dogs’. She watched the approaching lights of town and once the train had passed the industrial estate with its car park and was making its way along the row of poplars lining the track which was only just discernible in the darkness, she anxiously scanned the as-yet-pale and distant glow of streetlamps and illuminated houses to locate the three-storey block containing her apartment—anxiously, for the feeling of acute relief on realizing that she was home at last was immediately succeeded by terror, because she knew all too well that the train being now almost two hours late she couldn’t count on the usual evening bus service, and so would have to walk (‘And, what is more, alone …’) all the way home from the station—and, even before confronting that issue, there still remained the problem of actually getting off the train. Small allotments with kitchen gardens and locked sheds sped by beneath the window, followed by the bridge over the frozen canal and the old mill behind it; but they conveyed no sense of release, suggesting rather further, fearful stations of her cross, because Mrs Plauf was almost crushed by the knowledge that while she was only a few steps from freedom, suddenly there, behind her back, at any moment, some wholly incomprehensible something might leap out and attack her. Her whole body was covered in sweat. Hopelessly she observed the extended yard of the sawmill with its piles of logs, the tumbledown railwayman’s hut, the old steam engine slumbering in the sidings and the weak light percolating through the barred glass walls of the repair sheds. There was still no movement behind her, she was still standing by herself in the corridor. She gripped the ice-cold handle of the door but couldn’t decide: if she opened it too early someone might push her out, if too late then ‘that inhuman band of murderers’ might catch up with her. The train slowed alongside an infinitely long row of stationary wagons, and squealed to a halt. As the door opened, she practically leapt off, saw the sharp stones between the sleepers, heard her pursuers behind her, and quickly found herself outside in the station forecourt. No one attacked her but by some ill-chance which coincided with her arrival the lights in the vicinity suddenly went out, as did, so it soon transpired, every other light in town. Looking neither left nor right but keeping her eyes firmly at her feet so she shouldn’t stumble in the dark, she hurried over to the bus-stop hoping against hope that the bus might have waited for the train to come in, or that she might