clerk.
He had not boarded the train that morning after all, had not gone into the country. The sight of the woman in the plaid coat had stopped him. She was a mystery to him, and mystery enough to keep him from leaving. So long as she was there each morning, he would wait with her, and so long as no one appeared to meet her, he would return to work: that was the unspoken bargain he had struck with her.
Still, these detectives in the elevator were watching him—intently, he felt. He tapped his umbrella against the floor while humming a few bars of a tune he knew from the radio, but this must have looked too calculated, since humming and umbrella-tapping were not among his usual habits. So instead of tapping, he used his umbrella as a cane by gently and repeatedly shifting his weight onto it and off it again. This was a habit Unwin could call genuine. But employed as a distraction, it seemed even to him a very suspicious-looking contrivance. He had not read a word of The Manual of Detection, while these detectives probably knew it front to back, knew even the rationale behind Samuel Pith’s assertion that operatives must have secrets of their own.
The attendant brought the elevator to a halt at floor twenty-nine, and the three detectives brushed past, then turned. The one in the black suit scratched a rash above his collar, glaring at Unwin as though he were somehow the cause of it. The one in green hunched bulkily, a dull, mean look in his half-lidded eyes. Navy blue stood in front, his mustache a crooked line over his lip. “That’s no hat to wear to the thirty-sixth floor,” he said.
The other two chuckled and shook their heads.
The attendant closed the door on the detective’s thin scowl, and again the needle climbed upward. From above came the creaking of machinery; steadily the sound grew louder. When the door was opened at last, a chill wind escaped from the elevator shaft to play about Unwin’s ankles. His socks were still damp.
The corridor was lit by yellow light fixtures shaped like upended tulips, and between them were doors without transoms. At the opposite end of the hall, a single window permitted a rectangle of gray, rain-ribboned light.
“Thirty-six,” the attendant said.
In the memo Lamech had identified himself as a watcher. That title was unfamiliar to Unwin, but the intricacies of Agency hierarchy could not be entrusted to just any employee. There were clerks innumerable, with underclerks beneath them and overclerks above, and then the detectives, those knights-errant upon whose work so much depended, while everywhere at once scurried the messengers, lower in status, perhaps, than even the underclerks but entrusted with special privileges of passage, for their words, on any particular day, could originate in the highest halls of the Agency offices. And dwelling in those halls? What shrewd powers, with what titles? On that, Unwin did not care to speculate, nor do we now, except to this extent: on the thirty-sixth floor, behind doors marked by bronze placards bearing their names, the watchers performed what duties were entrusted to them.
The seventh door on the right (Unwin counted thirteen to a side) bore the name he was looking for. Unlike all the others, this door was ajar. He knocked gently and called through the opening. “Mr. Lamech?”
No response. He knocked harder, and the door swung inward. The room was dark, but in the column of light from the hall Unwin saw a broad maroon rug, shelves of thick books with blue and brown spines, a pair of cushioned chairs angled toward a desk at the back. To one side was a great dark globe, and before the window loomed a bald and massive globelike head. On the desk a telephone, a typewriter, and a lamp, unlit.
“Mr. Lamech,” Unwin said again, crossing the threshold, “I am sorry to have to bother you, sir. It’s Charles Unwin, clerk, floor fourteen. I’ve come about the matter of the promotion. I believe there may have been some kind of
Gary Chapman, Catherine Palmer