The Manchurian Candidate Read Online Free PDF Page A
Author: Richard Condon
enjoyed beer, abjured spirits. He had no head for cards; he always seemed to win from his superior officers. His fellow officers were used up on conversations of a nonprofessional nature, so he transhipped boxes of books about anything at all, back and forth between San Francisco and wherever he was stationed at the time, because he was deeply interested in the problems of Bilbao bankers, the history of piracy, the painting of Orozco, the modern French theater, the jurisprudential factors in Mafia administration, the disease of cattle, the works of Yeats, the ramblings of the Bible, the novels of Joyce Cary, the lordliness of doctors, the psychology of bullfighters, the ethnic choices of Arabs, the origin of trade winds, and very nearly anything else contained in any of the books which he paid to have selected at random by a stranger in a bookstore on Market Street and shipped to him wherever he happened to be.
The sergeant’s account of his past was ancient in its form and confusingly dramatic, as perhaps would have been a game of three-level chess between Richard Burbage and Sacha Guitry. It all seemed to revolve around his mother, a woman as ambitious as Daedalus. The sergeant was twenty-two years old. He was as ambivalent as a candle burning at both ends. Awake, his resentment was almost always at full boil. Asleep, Captain Marco could understand, it simmered and bubbled in the blackened iron pot of his memory.
Raymond had made tech sergeant because hewas a bleakly good soldier and because he was the greatest natural marksman in the division. Any weapon he could lift, he could kill with. He pointed it languidly, pulled the trigger, and something always fell. Some of the men appreciated this quality very much and liked to be with or near Raymond when any action occurred, but otherwise he was scrupulously shunned by all of them.
Raymond was a left-handed man of considerable height—to which he soared from wide hips, narrower shoulders—with a triangular face which suspended a pointed chin that was narrow and not very firm. The vertical halves of his face pouted together sullenly, projecting the effluvia of self-pity. His skin was immoderately white, which made the prominent veins of his arms and legs seem like blue neon tubing. His cropped hair was light blond and it grew down low and in a round shape over his forehead in a style affected by many American businessmen of a juvenile or eunuchoid turn.
Despite that specific inventory of his countenance, Raymond was a very handsome man, very nearly a pretty man, who had heavy bones, great physical strength, and large glaucous eyes with very large whites, like those of a carousel horse pursued by the Erinyes, those female avengers of antiquity.
When the flautist Boehm engineered the new design and the new note value system for the clarinet, his system took a half note away from the thumb and a half note away from the third finger on each hand, as it would have been played on the standard Albert clarinet. By so doing he created an aural schism and brought a most refined essence of prejudice to a world of music. He created two clarinetists with two subtly different qualities of sound, where there had been one before, andprovided, amid this decadence, many bitter misunderstandings. It was as if Raymond had been built by Herr Boehm to have had his full notes dropped to half notes, then to quarter notes, then to eighth notes, for his was an almost silent music, if music Raymond contained at all.
In spite of himself the captain liked Shaw, and the captain was a matured and thoughtful man. He liked Raymond, he had decided after much consideration of the phenomenon, because, in one way or another, Shaw was continuously demonstrating that he liked the captain and the captain was too wise a man to believe he could resist a plea like that.
Nobody else in Company C liked Raymond, and perhaps no one else in the U.S. Army did. His comrades skirted him charily or they pretended he
The sergeant’s account of his past was ancient in its form and confusingly dramatic, as perhaps would have been a game of three-level chess between Richard Burbage and Sacha Guitry. It all seemed to revolve around his mother, a woman as ambitious as Daedalus. The sergeant was twenty-two years old. He was as ambivalent as a candle burning at both ends. Awake, his resentment was almost always at full boil. Asleep, Captain Marco could understand, it simmered and bubbled in the blackened iron pot of his memory.
Raymond had made tech sergeant because hewas a bleakly good soldier and because he was the greatest natural marksman in the division. Any weapon he could lift, he could kill with. He pointed it languidly, pulled the trigger, and something always fell. Some of the men appreciated this quality very much and liked to be with or near Raymond when any action occurred, but otherwise he was scrupulously shunned by all of them.
Raymond was a left-handed man of considerable height—to which he soared from wide hips, narrower shoulders—with a triangular face which suspended a pointed chin that was narrow and not very firm. The vertical halves of his face pouted together sullenly, projecting the effluvia of self-pity. His skin was immoderately white, which made the prominent veins of his arms and legs seem like blue neon tubing. His cropped hair was light blond and it grew down low and in a round shape over his forehead in a style affected by many American businessmen of a juvenile or eunuchoid turn.
Despite that specific inventory of his countenance, Raymond was a very handsome man, very nearly a pretty man, who had heavy bones, great physical strength, and large glaucous eyes with very large whites, like those of a carousel horse pursued by the Erinyes, those female avengers of antiquity.
When the flautist Boehm engineered the new design and the new note value system for the clarinet, his system took a half note away from the thumb and a half note away from the third finger on each hand, as it would have been played on the standard Albert clarinet. By so doing he created an aural schism and brought a most refined essence of prejudice to a world of music. He created two clarinetists with two subtly different qualities of sound, where there had been one before, andprovided, amid this decadence, many bitter misunderstandings. It was as if Raymond had been built by Herr Boehm to have had his full notes dropped to half notes, then to quarter notes, then to eighth notes, for his was an almost silent music, if music Raymond contained at all.
In spite of himself the captain liked Shaw, and the captain was a matured and thoughtful man. He liked Raymond, he had decided after much consideration of the phenomenon, because, in one way or another, Shaw was continuously demonstrating that he liked the captain and the captain was too wise a man to believe he could resist a plea like that.
Nobody else in Company C liked Raymond, and perhaps no one else in the U.S. Army did. His comrades skirted him charily or they pretended he