The Making of Minty Malone Read Online Free PDF Page A

Dominic was safely there, at the altar, with Charlie. And I could hear the hum of muted voices as the organist played the Saint-Saëns. Then the music drew to an end and a hush descended and Robert gave us the nod.
    ‘OK, Minty, we’re off,’ whispered Daddy with a smile, and we stepped forward as the first chords of the Mendelssohn rang out and everyone rose to their feet. And suddenly, in that instant, I was so, so thrilled I’d chosen St Bride’s. It’s not that I’m particularly religious – I’m not really, and nor is Dom. In fact, he said very little during our sessions with the vicar. But of all the churches in Central London, St Bride’s was the one that felt right. It’s the journalists’ church – the Cathedral of Fleet Street – and that was another reason for choosing it. And you see, I’ve always had this thing about churches that were bombed in the War. Coventry Cathedral, for example, or St Paul’s. And St Bride’s was bombed too; in December 1940, a single V2 left it a smouldering shell. But it arose, like a phoenix, from its ashes. And the vicar explained that the destruction had a silver lining, because it laid bare the Roman crypts. And no one had known they were there, and this enabled them to add a thousand years to the history of the church. Which proves how good can sometimes come out of the most terrible events because without that devastation St Bride’s would never have revealed its hidden depths. And I was thinking of that again as I walked up the aisle, adren-aline-pumped and overwrought and nervous, and tearful, andhappy. As the sunlight flooded in through the plain glass windows in wide, striated rays, I lifted my eyes to the vaulted ceiling painted in white and gold, and then dropped my gaze to the black and white marble tiles which were polished to a watery sheen. And the air was heavy with the sweet smell of beeswax and the voluptuous scent of Helen’s flowers. Her two arrangements took my breath away. They were magnificent. As big as telephone kiosks – a tumbling mass of scabious, stocks and pink peonies, freesia and sweet peas; and she’d tied a little posy of white anemones to the end of every pew.
    And there was Dominic, with his back to me, his blond head lit by the sun. And I thought, he looks like the Angel Gabriel himself in the Annunciation by Fra Angelico. Charlie was standing next to him, looking typically serious and kind, and he turned and gave me such a nice, encouraging little smile. Because the box pews face sideways in St Bride’s, I could see everyone as we passed, their Order of Service sheets fluttering in their hands like big white moths. First I spotted Jack, my editor, smiling at me in his usual amused and sardonic way, and next to him was his wife Jane and her sulky-looking teenage daughters, both dressed in post-Punk black and pink; and there was Amber looking wonderfully cool and elegant in lime green. In the pew behind was Wesley from work, with Deirdre, of course – oh, she did look dreary, but then she always does, poor thing; between you and me, I think weddings are a sore point with her. And there was my mother in her flowing Bohemian dress, and her extraordinary, flower-smothered hat. On the groom’s side I spotted Dom’s mother, Madge, and lots of people I didn’t recognise who must have been his clients. And everyone was looking at me, and smiling, and I knew that I was, as the expression goes, ‘the cynosure of every eye’. Then Helen lifted my veil and took my bouquet, and tucked herself into a pew next to Mum. The wedding had begun.
    And it was going well. Really smoothly. It was all so …lovely. Dominic looked a bit anxious, so I gently squeezed his hand. And we sang ‘He Who Would Valiant Be’, he and Isinging it quite quietly, and he looked a little agitated, but that was because there was this wasp buzzing about, and it was hovering close to him, and he had to flap it away once or twice. Then Amber stepped forward and